Der Kinematograph (August 1929)

Record Details:

Title:
Der Kinematograph
Date:
August 1929
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (August 1929)
Leaf #:
0008
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Evelyn Holl. Fred Döderlein. Iris Arlan. Allda Hörbiger NACHTLOKAL F ür I rna Murrnj. die leine und stille Künstlerin, bringt der f" Im „Nachtlokal ", von dessen Aufnahmen in Wien an d.cscr Stelle bereits berichtet wurde die große Rolle, die ihr in der letzten Zeit gefehlt hat. Sic stellt eine jener Frauen den Kreisen des guten Bürgertums dar. deren Lebensweise durch den I od ihres Mannes vollkommen geändert wird. In behaglichem Wohlstand aufgewachsen, führte sic in der Ehe das sorgenfreie Leben weiter und lebte ein wenig neben den Ereignissen, die sic nicht tiefer berührten. Nun. da der Gatte gestorben, stellt sich heraus, daß die sorglose Lebensführung »llein möglich gewesen war. weil der Mann seine ganze Ar¬ beitskraft darauf gerichtet hatte, seiner Familie fröhliche Stun¬ den zu bereiten. Wie so viele Frauen aus diesen Kreisen des Bürgertums, ist sic nicht imstande, sich schnell auf die Anforde¬ rungen des Tages umzustcllcn. Ihre zarte und vornehme Art.