Der Kinematograph (June 1930)

Page scan 0001 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
June 1930
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (June 1930)
Leaf #:
0001
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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UNTER PERSÖNL.MITWIRKG. VON JOSEPH MASSOLLE SO URTEILT DIE PRESSE^ Tontechnisch zeigt dieser bisher größte deutsche Sprechfilm höchste Vollendung. .. Berliner Montagspost ... Der Film ist sowohl bild- wie tontechnisch eine große Leistung . . . Der Ton verstärkt das Er,eben Fümkurier Wort, Musik und 6etöse ist in der Vollendung reproduziert. Es dürfte nichts Besseres, viel¬ leicht nichts gleich Vollkommenes, in der Welt geben I ... Lichtbildbahne Wiedergabe auf Tobis. Klar, deutlich, plastisch, fast ohne Nebengeräusch. Die Illusion stark und eindringlich- Kinematograp* ... Es quillt aus dem Lautsprecher wie bitterste Wirklichkeit. Man erlebt tief und echt bei dieser Apparatur. .. . Der Montag .. . eine ausgezeichnete technische und darstellerische Leistung ... Keue PreuB. Kreuzzeitunfl