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Der Kinematograph (April 1931)

Page scan 00039 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1931
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (April 1931)
Leaf #:
00039
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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Heute fünf Premieren Selbst der April bringt noch eine Premierenhochnut. die deutlich zeigt, wie sehr auch unter den heutigen Kontingent¬ verhältnissen für eine restlose Versorgung des Marktes Sorge getragen ist. , _ . . Man kann auf diese Tatsache gerade vor der Reichsver¬ bandstagung in München nicht nachdrücklich genug hin- weisen. weil von diesem oder jenem Unterverband wieder ein Sturmlauf gegen das Kontingent beginnt, der nach Lage der Dinge und wie der heutige Tag zeigt, zweifellos gänz¬ lich zwecklos und überflüssig ist. Die heutigen Premieren sind: Ufa-Pavillon: Der First Nalional-Tonfilm der Defina: „Die Maske fällt" U T. Kurfürstendamm: Der Cicero-Tonfilm der Deutschen Universal „Ich geh’ aus und du bleibst da" „In Wien hab' ich einmal ein Mädel geliebt" Der Titel gibt schon den In halt des Films. Da ist das süße blonde \Viener Mädel, das eine große Sängerin wird, der Herr Oberleutnant. der nach den vielen Hindernissen, die ihm sein hochadliger Herr Papa und das Schicksal in den Weg legen, doch noch mit diesem süßen Mädel glücklich wird, da sind Der Gustav-Althoff-Tocfilir. der Albö: „Der Schrecken der Garnison" Titania-Palast: Der Paramount-Tonfilm: „Sonntag des Lebens" Mädel, kämm' dir dein und das Lied, das den. Fil: Titel gegeben ha». .nt« Regie Erich Schönfeiders die Darsteller Gretl Th