Der Kinematograph (August 1931)

Page scan 0004 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
August 1931
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (August 1931)
Leaf #:
0004
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 28, 2022
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i/ ist Beilage zum „Kinemaiograpiy Produktions-Statistik als Erkenntnis - Quelle Von Dr. Alexander Jason. Berlin I. Das Zahlenmaterial iiber die oduktionstätigkeit in Deulsch- nd innerhalb des ersten ab- .'••»t hiossenen Tonfilmjahres 1930 i nach verschiedener Richtung >i außerordentlich interessant. >,e Umstellung auf den Tonfilm • orderte zunächst ganz selbst- • ■■ländlich einen erheblichen ergibt sich hieraus ein durch¬ schnittlicher Herstellungspreis von 175 000 RM je stummen Film. 1930: 146 I. Spielt.. Herstel- wendeten Kosten. (Vgl. auch lungskoslen 35 550 000 RM | m Jahresdurchschnitt: 196 lange Spielfilme mit 36 300 000 RM Be, Verwendung dieser Mit- Herstellungskosten. telzahlen in Verbindung mit der Zahl der produzierten Filme ergibt sich dann folgendes Bild: Die Produktion des Jahres 1930 liegt hinsichtlich der Zahl A. Jason. HdF. I, Seite 42.) Die Kombination der Zahl der hergestellten Filme mit der Zahl der Produktionsfirmen et- möglicht es. de Entwicklung e Tonfilmjahr als B kW Wirtschaftsunte mit je 1 Film „ ., 2 Filme .. .. 3—5 Filme . .. .. 6 » Filme . II) Filme und mehr gativ-Lizenz, Auslands-Lizenz und Staffel-Lizenz vcm deut¬ schen Verleih) — ergibt sich das für die Jahre 1926 bis 1930 einschl. für die deutsche Pro- Größengliederung der Produzenten der Ton- und stummen Filme in den Kalenderjahren 1929 nnd 1930 Zusammen 83