Der Kinematograph (August 1932)

Record Details:

Title:
Der Kinematograph
Date:
August 1932
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (August 1932)
Leaf #:
00066
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Germany, Hollywood Studio System, and Global Cinema
Format:
Periodicals
Contributor:
Media History Digital Library, Mikrofilmarchiv der deutschsprachigen Presse, in collaboration with Michael Cowan and the Department of Film Studies, University of St Andrews
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 27, 2022
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URAUFFÜHRUNG des AAFA-LUSTSPIELS REGIE: RUDOLF WALTHER-FEIN MUSIK: BERT REISFELD UND DR. ROLF MARBOT Photographie: Guido Seeber und H. v. Kaweczinski. Bauten: Jack Rotmil und E. Hasler. Musikalische Leitung: Kapellmeister Fritz Goldschmidt. Aufnahmeleitung: Walter Tost. Ton: Hans Grimm. Tonschnitt: Ladislaus Vajda jun. In den Hauptrollen: Claire Rommer — Paul Hörbiger — Jacob Tiedtke — Ida Wüst Max Gülstorff Senta Söneland — Käthe Haack — Hugo Fischer- Koppe — Paul Morgan — Oscar Sima — Ernst Pröckl — Dorothea Thieß Volkswille, Hannover: Der lustige Spaß purzelt aus einer komischen Situation in die_ andere . . . Die lachende Laune kann den Überraschungen kaum folgen. Deutsche Filmzeitung: Man muß lachen, wenn man auch noch so griesgrämig ins Theater kommt Ulmer Tagblatt: Oie Sache ist wirklich nett und gefällt. Lachen, Lachen, Lachen. Münchener Telegrammztg.: Die derbe Lustigkeit dieses Films genießt man mit viel Behagen. Mittwoch, den 17. August PRIMUS-PALAST Potsdamer Straße