Der Kinematograph (January 1909)

Record Details:

Title:
Der Kinematograph
Date:
January 1909
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (January 1909)
Leaf #:
00011
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Kinematograph — Düsseldorf. Stuhl-Fabrik A. d W. Hiekel, Chemnitz (S.). SAUERSTOFF chemisch rtln. 99°, Höchsts Leuchtkraft liefert prompt und billig Deutsche Sauerstoff-Werke m. b. H. r iooo m Films für Mk. 20 pro U/oche 3 singende und spreoheiide illustriert«- Lieder ohne Synchron und Grammo¬ phon vorzuführen von Mark 10 per A. F. Döring, HIMBURG 33. ttlwlbenstroise 35. Soeben erschienen die neuen ===== Kinematographen - TlteotroM Modell 1909. Flimmerlose, la. Filmschoner. Das neueste I Das beste I Alles flbertreffend 1 A. Schimmel Jetzt Berlin tl. 4 k - Chausseestr. 25. Eingang Zlnnowttzerstr.. direkt a. Stettinerbahnhot Grosses Lager von Films und simtl. Zubehör. Fllmverteihung, nur ein¬ wandfreie, zugkrftftige Programme. Zwei Filmprogramme Kosmos Institut. Pionegg b. München, Bergstr. 40 b. 600 stabile Lokalstühle für Kinotlieater, 300 Klappsitie und ein Posten Binke mit festem Sit», werden unter billigster Berechnung abgegeben. 2597 A. a W. Hiekel, Stuhl Fabrik. Chemnitz I. S. Viragieranstalt Viragiern in allen Tönen jeden Film. Künstlerische Behandlung. Erhöhter Filmwert durch die prachtvolle Virage. 4—8 Pfg. pro m. Referenzen Kosmos-Institut Planegg b. München, Bergstr. 40b. München, Bergstr. 40b. Vollen Sie ein wirklich gutes Wochen Protramm - zu 50 Mark ? - so wenden Sie sich direkt an das Tonbildtheater Metropol DE88AU, Franzstrass« 3-4 *«° Erst«* u. größtes Anhaitisches Film-Leih- u. Tausch-Institut. Aueh werden noch einige Tauschkunden in un-iore Zentrale auf- genomroen und kostet dann jedes Programm nur Mark 10. Bei Korrespondenzen bitten wir, eich stets auf den „Kinematograph“ beziehen zu wollen.