Der Kinematograph (January 1909)

Record Details:

Title:
Der Kinematograph
Date:
January 1909
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (January 1909)
Leaf #:
00016
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der KlnematucraDh — Düsseldorf. Xo. 106 Die Compagnie des Cinematographes Films „Le Lion“ sendet ihre herrlichen Erzeugnisse SNr Ansicht an jedermann, der das Ersuchen stellt. Die Films „Le Lion“ ■■ sichern den Erfolg! - ■rograiiune. die die Menge anziehen. sind alle mit de Films „Le Lion‘* zusanunengtfstellt. Compagnie des Cinematographes „Le Lion“ PARIS 15, nie flrange Bäte Here PARIS 1 Film * Programm Rheinische Film-Zentrale, Crefeld Hirschfeid & Co., Mülhausen in Eisass. | Leihprogrammein all. Preislagen Kamms Xinematograph von L. Kamm & Co. London E. C. 27 Powelstreet is! der beste, billlostB s. sicimrste. Doppelter Feuerschutz. Filmregulierung während der Bewegung ohne Lampe und Widerstand 600 Mark. Ula Billige Sonntags - Programme ! Wöchentlicher Einkauf ca. 2000 m. Film-Tausch u. Verkauf von ts Pff. an per m. Für Reisekino vorteilh. Einkaufsque!!••. Wer leiht «= gelaufene oder ungelaufene. Off. unt. F röc (»entlieh ca 1200 m Films z< Xumtnem pro Programm, ausser- tm 2 Tonbilder 2 unt. F R 25*0 an d. Kin-mat. Einzige Agentur in Paris ffir pikante kinematographische Films. Speziell für Herren Soireen: Nene Films, sehr pikant. Offerten an Horn F. Renz, 50 nt« d Orsel, Paris. Telegramm-Adresse: Ferdiren Paris. 2346 Film-Verleih J. Dienstknecht trete, u« i Haar FUmrielk Vertief feter KN |e>ree»ter FH. MMeel