Der Kinematograph (February 1909)

Page scan 0003 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
February 1909
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (February 1909)
Leaf #:
0003
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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OOOOOOOOOOOOI Der Kinematograph — Düsseldorf. ÖOÖÖÖCOOOOOÖOOOOÖÖOOÖOOÖÖÖOOOOOÖ] Schlager! Schlager! Die letzten Tase ■ von Pompeji ■ Das Meisterwerk der modernen Kinematographie! Länge: ca. 380 Meter Aeusserst reichhaltiges Reklamematerial. Länge: ca. 380 Meter. Behufs prompter Lieferung sofortige Bestellung erbeten. ■ Verlangen Sie ausführliche Beschreibungen. == Sensationell! Ergreifend i Sieben Tose lebendig begraben! ^StUlP Das Erdbeben auf Sizilien u. Kalabrien. ^etinng ? 8 Die Rettung des Antonio Stradi und »einer Krau, nachdem sie unter den fürchterlichsten Qualen 7 Tage lang verschüttet waren. Longe: ca. 220 Meter. Telcgr.-Wort: CATAS. Einzig! Nur auf feste Bestellung, nicht zur Ansicht. Einzig ! Humoristisch! No. 14003 Komisch! Wie der Maler seine Miete bezahlte Sehr guter, komischer Film mit vielen originellen Ideen! Läng«: ca. 130 Meter. Telegr.-Wort: „MALER“. RALEIGH & ROBERT für Deutschland: II für ausaerdeutsche Länder: BERLIN W. 66 jj PARIS Mauerstrasse 93 (Ecke Friedrlchstrasse) Rue Sainte Weile 16 Telegr.-Adr.: Raleibert. Telephon: Ia 7293. || Telegr.-Adr.: Biograph, Paria Telephon 268—71. OOOOOOOO OOOOOOOOOOOOOOOOOOOOOOO OOOOOOOOOOOOI