Der Kinematograph (July 1909)

Page scan 0003 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
July 1909
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (July 1909)
Leaf #:
0003
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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OOO OOOOOOOOOOOOOOOOOOOOOOOOOOO O oooooooooooooooooooooooooooooo No. 132. Der Klnematograph — Dlsseldorl. (^OOOOOOOOOOOOOOOOOOOOO o0000<H)0<H>000000<HKKH><H? Schlager! LOUIS XI. Schlager! Ein Kunstfilm allerersten Ranges. Tragödie aus dem Jahre 1483. l)in Verhaftung Je« Herzogs von Nemours wegen Majcstätaverbrirlu-ua. Letzter Abschied de* Herzogs von Nemours von seiner Kamille. I nter gefälscht, m Namen fordert der Sobn Nemours Ludw ig XI. zum Duell. lK-r Sohn Nemours iat wied- nrkim.it, seine l'eberführung ins tlefanguia. — Di*- Deichte Ludwig XI. Der Sohn de* Herzogs von Nemours entflicht dem Gefängnis, er dringt in des Königs Zimmer. — Die letzten Augenblicke Ludwig XI. Wir können unseren werten K utdeil dieses lioebinteressantu, au* der Geschichte Krankreielis entnommen)' Sujet nicht warm genug eui|ifehlell. Die wunderbare künstlerische Ausführung des Filmes tut das ihrige dazu, das Hikl zu einem Schlager ersten Hanges zu stempeln. Extrazuschlag für Virage Frs. 13.S0 nett«. Telegr.-Wort: Louis. Wollen Sie Ihr Publikum herzlich lachen hören, so reihen Sie Ihrem Programm den Film ein: Doktor Sausewind Länge: ISO in. Telegr.-Wirt: Skat. Sehr ergreifend! ►OOOOOOOOOOOOOOOOOOOOOOOO O oooooooooooooooooooooooooooooo