Der Kinematograph (September 1909)

Page scan 0006 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
September 1909
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (September 1909)
Leaf #:
0006
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Klnematograph — Düsseldorf. No. 140. Stahl-Projektor Ernemann Imperator Vorsiigo: Spielend leichter, geräuschloser dann. Alwolut fliinmcrfreie Projektion. Grösste Filmschonung. Alle Wellen, alle Zahnräder aus Stahl! Gänzlich kettenlos. keine biegsame Welle, sondern Bewegungsübertragungen ausschliesslich durch Zahnräder’ Malteserkreuz vollkommen in einem Oelbad eingebaut, also Fi-stlaufeii ganz ausgi«ehl<MSen. Kräftigstes, stabilstes Modell. Abnutzung auch nach jahrelangem Gebrauch kaum merkbar! Bequemste Einstellung des ltildfensters Oelgefäsae für jedes Lager. Automatischer Feuerschutz. Die Ausrüstung ist Mi kl die kleinsten Details als Prftzitions- maschine durchkonstruiert an welche die denkbar grossen Anforderungen gestellt werden können! Auf Wunsch erleichterte Zahlungsbedingungen I Der Stahl - Projektor ..Imperial“ ist im Ausstellungs - Theater auf der Internationalen photograpischen Ausstellung. Dresden seit ca. einem halben Jalir in Betrieb und bewährt sich glänzend. Nicht die kleinste Storung ist bisher zu verzeichnen. Die Leistungen dee Apparates werden von allen Fachleuten als bisher von keinem anderen Modell erreicht bezeichnet. Spezialbeschreibung und Hauptliste gratis! Heinrich Ernemann, a.-g., Dresden ise p *?ä v L cl " Vertretungen and MnateriSger : M«lacken: Akts Bergmek-r. OblmiMcr.tr 19. Köln: K. Knrller Oraffwev. OereaaawaU Sl. Charleli.oburr Knohorakl * Co.. 3t uttgmrtrr p l aU^SO.^ LolyU gi A. H.jrno.^^pn»dner»tra-*. 3.’.^ Bu.no. Alra a: t’trfaA k^Q).. Oilk^Unlk 540. London »_ C.: Unstreitbor der Beste