Der Kinematograph (November 1909)

Page scan 0006 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
November 1909
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (November 1909)
Leaf #:
0006
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Klnematograph Düsseidort. No. 149. Zur Kinematosraphte u.Pra|eHlOR Kondensatoren u. Beleuchtungslinsen : Projektion«- und Kineobjektive. : Achromatische Unsen etc zur Optik Prima dünnste und extra wetsse Deckgläser, ff Mattscheiben, feinstes photo¬ graphisches Korn. Opt geschliffene Spiegdglastcheiben, Gelbscheiben, Rubinscheiben, plan geschliffen. ““ Opt. Glasfabrik v. Avril, Zabem I. Eis. I. Wrangen S.e Sik ualiÄtu No. 15. Crefelder Theater lebender, singender, sprechender Photographien Inhaber: S. COHN. Crefeld, Hochstr. 51. Fernruf No. 865. Film-Verleih und -Verkauf Grosser Posten sehr gut erhattener Tonbilder ind. Platten billig zu verkaufen. Ernemann - Stahl-Pralektor llfik „IMPERATOR“ iwS*Neuestes, kettenloscs Modell. His in die kleinsten Details aN j'Mk L~ ^B durr-hk. .i i~t, »tt.-i . S; .i. , ■ 1 ..S 1 T «Jang. Ab-.'lut .j.-kn. Srdsst« Kiin -elidiiiing. Automat i-.-b.-r Keuerschota. Stabilste / Abnutzung auch nacli jahrelangem Gebrauch kaum merkliar. Der Stahl-Projektor „Imperator 1 ist im Ausstellungs-Theater »- auf der Intern. Photographischen Ausstellung, Dresden, seit ca. einem halben Jahre in Betrieb und bewährt sich glänzend. Nicht . / mR 1 die kleinste Störung ist bisher zu verzeichnen. Die Leistungen -des Apparates werden von allen Fachleuten als bisher von keinem anderen Modell eireicht bezeichnet. - ^ Verlangen Sie Preisliste und Kostenanschläge! Grösste Fabrik des Kontinents tür den Bau kinematographischer Aufnahme- und Wiedergabe-Apparate. Heinrich Ernemann a.-g., Dresden 156 Trövise.