Der Kinematograph (December 1909)

Record Details:

Title:
Der Kinematograph
Date:
December 1909
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1909)
Leaf #:
00065
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Germany, Hollywood Studio System, and Global Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Zonophon. Hornokord. Odeon. Favorite. Beka. Anker. Kalliope, ianus Dacapo No. 165. Der Klnematograph — Düsseldorf. dem geläufigen Sprechen haperte es noch f >ie finite wollten nielit gun/. zu Silben znsammcnflicssci . Kctn|>elen hatte die Khre. seine Maschine tler Kaiserin Maria Theresia in Wien vorführen zu dürfen, verpatzte sich al»er seihst seine aussiehtsreiche Karriere, als er später netten seiner wirk¬ lichen Si.reehtnasehine eine andere baute, in deren Innerem ein kleiner Knabe steckte. Der Betrug kam auf. und Kem- |>clen hatte offiziell ausgespielt. Missmutig wandte er selbst seinen gelungenen Versuchen den Rücken, vertiefte sieh gänzlich in die Theorie der Sprache und starb vergessen und verkannt. Kr war der letzte gewesen, der es versuchte, durch Nachbildung der menschlichen Sprechorgane eine sprechende Maschine zu konstruieren. Nach ihm kam Kdison. Spezialität: Fabrikation von Spreehmaschinen. M usik- I nstrumente zu vermieten. Für Kino-Aufnahmen Astro - Hesotiu Film Unübertroffen an Empfindlichkeit, Klarheit 5 Deutsche Rollfilms-Gesellschaft m. b. H., * m Köln am Rhein s Frankfurt am Main mg I mg Telephon ISSd. Telephon 1747. ^ Kinematograph Jeder kann sein Programm schon y. 30 Hk. an selbst znsammenstellen. Ohne Kaution! Man verlange Prognunr i. Film-Tausch-Centrale Film-Lei h-Anstalt A. F. Döring, Hamburg 33, Sihwalbenstr. 35. Telephon Amt III No. 8875. Kinematographen- Apparate, Syttem Bauer, Und bis heute unübertroffen mustergiltia ln Aufführung. 3013 Konkurrenzlos in Leistung und Dauerhaftigkeit. Wunderbar ruhige Milder. — Vollständig flin.merfrei. Man überzeuge sich und urteile! Prima Referenzen! Eugen Bauer, Stuttgart 15 Curtcnstr. 21. Kinematographentabiik Femapr. 3573. Clen.-Vortr. für Bayern: J. Dienstknecht. München- Nymphenburg, Ad. Mari, Innsbruck, Maria Thenalenetraase. Starkton - Maschinen