Der Kinematograph (January 1910)

Page scan 00068 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
January 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (January 1910)
Leaf #:
00068
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Global Cinema, Germany, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Klnematograph — Düsseldorf. Fabrik kinematographischer Apparate Nach wie vor steht der „Nltzsohe-Origlnal Apparats- System: „Saxonia“ immer •C Allen voran und hat sich heute schon einen Weltruf erworben!! Nur Tatsachen allein beweisen! ▼ Nitzsche’s neueste Projek- ^ tions- Lampe Modell aJk „Universal“ übertrifft Alles! Alles! K = Film- = ^r-^jFW Verleih-Institut verlangen. JU bringt wöchentlich für zirka Mark 6500 rstklässige Neuheiten, ^ daher beste Bezugsquelle für tadellose Leih-Programme in allen Preislagen! sc -■■■- Fabrik und Kontore: Tauct.aerstrasse 28-30. Fernsprecher 11285. Telegramm Adr Bionitzsche Leipzig. rj^r^sr: Neoheiten-Programm Jeder kann sein Programm Die Programme sind durchaus rüg kräftig und bieten jeder Kon- SCllOD Y. 30 Ml[. äD Stjit)St ZU SR 1TI1T1 ftTi St ftl 1 ftTI. karrenz die Spitze. Zufriedenheit garantiert. Gunst. Leihbeding. ™ _ Cnf^-Theoter, Pl.u.n, Fridolin Käscher £jgpr Ohne Kaution ! ^tl|J ■■■■Has^MsnBMSBBsanHBBSsaHnsnsH Man verlange Programme und Bedingungen. I. FUm-Tausch-Centrale Fllm-Lelh-Anstalt Wie hAi 1 itii Füribl in Animi Mit? a. F. Döring, Hamburg 33, Filmfabrikanten etc., welche ihre Ware in England und seinen Kolonien ab- =. Betzen wollen, annoncieren in: = Telephon Amt III No. 8875. Johannes JVitesche, Leipzig,