Der Kinematograph (February 1910)

Record Details:

Title:
Der Kinematograph
Date:
February 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (February 1910)
Leaf #:
00010
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Kinematograph — Düsseldorf. No. 162 W. Sprenser. Gelsentilrdien Bahnhot*tr. 57 Totephon 1659 verleiht von heute ab auch konkurrenzlose Sonntags-Programme bei allerbiliigster Berechnung. lOOOOO Meter gut erhaltener Films spottbillig zu verkaufen hl. Sprenüsr. GelsenKIrdteii Bahnhotstr. 57 Tolopbon 1659 Kiappsitzstühle - Klappsitzbänke ■■ _ ■!■'M Richter. - . . Wildhgim ^^B Meine neuen Theotrosraph Kinematographen mit allen Verbesserungen und Vorteilen iler XfUB'it, grösster Stabilität. geräuschlosen» leichtem Gang, sind Ia. fliuunerlime Filiunchoi.or. Erstklassigen Theatern nur zu empfehlen. A. Schimmel Berlin tl. 4«. Chausseestrasse 25. Eingang Zlnnowitzerstr.. dir. a. Stettiner Bahnhot. Grosses Lager In sämtlichen Zubehörteilen zur :: :: Kinematographie und Projektion. :: :: Films! Riesenauswohl! • Films! Film-Verleihung! .— = oeo Ungelaufene Neuheiten sowie 8-14 Tage gebrauchte Films verleiht auch einzeln als Einlage W. Sprenger, Gelsenkirchen Bahnhotstr. 57. Tolophon 1659. Zu leihen gesucht für 8 Tage: „La Tosca“ j’. "ii Pathe Freres, nur in gutem Zustande Offerten mit Preis- 1T1..1 Märzen* Zentral-Theater. Inhalte Peter Marxen, Trier, Bank-Konto: Bergisch-Märkische Bank, Trier. Telefonruf: vorm. 500, nachm. 157. 4753 umimiiiliii | Kintialigrapflen-Tleater^ j Am Hreitrnner. dir Haupt* erkrhr>straBe Magdeburg«. ist fl zum I. Oktober ir. evtL auch früher ein Partcire'okal. fl 7- Zt. I'estaurant, 8.« O m Strasscnfront, nach hinten 5.30 n, brt., 25.00 m tief. 4.50 m hoch. ca. 300 Personen ■ fass- nd. mii eigener Centralheizung. Toiletten für Damen und Herren, zu v. rmieten. Heflektanten erhalten Zeich- fl rumren und »lies Nähere durch Alfred Nrhnielzer. Architekt, Magdeburg, Breiteweg 123. 4732 H eemisdite Wotaiprasranie bei zwei oder dreimaligem Wechsel nur neuerer Sujets von meinem enormen Lager- bestande verleiht von M. 80.— an W. Sprenger, Gelsenkirchen Bahnhotstr. 57. Totophon 1659.