Der Kinematograph (March 1910)

Page scan 000147 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
March 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (March 1910)
Leaf #:
000147
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Global Cinema, Germany, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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No. 170. Der Kinematograph — Düsseldorf. Eigene Häuser ln Alexandria, Amsterdam, Barcelona, Brüssel, Budapest, Buenos-Alres, Kalkutta, Chicago, Helsingfors, Lissabon, London, Madrid, Mexico. Fernsprecher: l„ No. «74« Friedrichstrosse 19.1., Eigene Häuser in Mailand, Moskau, New- York, Odessa, Paris, 8hait(hal, Rio de Janalro, Sydney, Petersbure, Stockholm, Tokio, Valparaiso, Wien. Tetegr.-Adr.: „Pathiltlms“ Einsonj Kronenstr. 14. Den vielfachen Wünschen unserer Kunden im Rhein¬ lande entsprechend, haben wir uns entschlossen, unsere wöchentlich erscheinenden Neuheiten regelmässig im ^ „Kinematograph“ mmm erscheinen zu lassen. Programm für den 16. April 1910: H KunsV«fm* r Cagliostro H KunsttHh Historischer Kunstfilm! Ereignis aus den Tagen der französischen Revolution, i'*®» inci. Koi. 470.— Mk Dramen: Der Bote der heiligen Jungfrau HO m. Virage 10.— Trudchens Missetat 24 s m Komische Bilder: Hochzeltsnacht im Dorfe 105 m . virage 12.- Ust des Gatten 140 m Nieder mit dem Frauenrecht iss m Musikliebender Kommissar 105 m Der Ehemann in der Matratze i 19 m Natur-Aufnahmen: Der auferstandene Römer 220 m Vogeldressur so m Metallwerke in Decazville 190 m virage 15.— Farben-Kinematographie Delhi und seine Ruinen no m Koi. 20.00. Abonnieren Sie ul nun aktnellen Film „Palle Douriil“. Dieses Prim drillt die 52. Htm Biller kinti m lilircstilti nln iilü ii Miiiiltii (iiinii wertet. PathO-Projektions-Apparat ist der Beste! Verlangen 81t koittnlox Kataloge. Verlangen Sit koxtonlos Katalog«.