Der Kinematograph (April 1910)

Page scan 0003 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (April 1910)
Leaf #:
0003
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Global Cinema, Germany, Hollywood Studio System, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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und allemeuesten Tonfilms kosten nach wie vor 1 Mark! ■ Unsere neuesten und ailerneuesten Tonfilms kosten nach wie vor 1 Mark! Der Kinematograph — Düsseldorf. No. 171. Unsere neuesten und ailerneuesten Tonfilms kosten nach wie vor 1 Mark I Deutsche Vitascope-Gesellschuft BERLIN S.W. Friedrichstrasse 22 = Telegr.-Adr.: Phonofilm, Berlin. Ftrnspr.: IV, 3>51 Stumme Films. Neuerscheinung am 30. April. König und Page Episode aus dem Leben Friedrichs des Brossen. Dramatische Bearbeitung von Frau Dora Dunker. Friedrich der Grosse, dargestellt von Walter Schmidthässler, Neues Theater, Berlin. Länge 150 m. Tonbilder. Neuerscheinungen am 9. April. Meinlied. Willst Du mein eigen sein. Erinnerung. £eid)t Gegärt. Wohlauf noch getrunken. Länge 55 m. Länge 06 m. Läng» 55 m. Sie sind alle verrückt nach mir. £eiöschmerzenpolka. Mscfjied. M der schönen blauen Donau. Länge: I. Teil 76 m, II. Teil 72 m. Robert der Jeufel I. Teil: Gräberacene, Länge 8 II. Teil: Verführungsscene, Länge 80 r Projektions-Apparat „Vitascope“ absolut flimmerfrei. Synchron-Einrichtung „Vitaphon“ in Verbindung mit Protrectophon, das Theater der Zukunft. uaisanau ajasun ■ i >|JekV l JO* o|m ipeu uajsoii suimuoi uajsanawaiic pun uaisanau ajasup | ailerneuesten Tonfilms kosten nach wie vor 1 Mark! ■ Unsere neuesten und ailerneuesten Tonfilms kosten nach wie vor 1 Mark