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Der Kinematograph (April 1910)

Page scan 00056 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (April 1910)
Leaf #:
00056
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Kinematograph — Düsseldorf. Das teste Mittel Ihr Theater populär zu machen und Ihr Publikum stets neu zu begeistern, ist ein zugkräftiges 9rogtamm. Nirgends mehr wie in der Kinemato¬ graphie ist der Srfotgoom£iefe- ranten abhängig. Suchen Sie eine erstklassige £eih-‘üerbindung so wenden Sie sich im eigensten Interesse nur an das „Globus“ W ;.X*' £eipilg Jaucfiaerstrasse 9 Uetepbon 7184 7e(egr.-Mr.: Globusfilm. Gustav Stresemann Femspr. 7947 Hannover Limburgstr. 2 verleiht noch elnise Programme garantiert 14 Tage alte Neuheiten bei zweimaligem Wechsel mit oder ohne Tonbild. Erstklassige Zusammenstellung. Kulante Leihbedingungen. MrT Kinematographen -Apparate (System Bauer), haben in der Art ihrer Ausführung bedeutende Vorzüge und werden deshalb von Kennern stark begehrt. Glänzende Anerkennungen beweis n seine hervorragenden Eig« nsctiaften über Solidität, Leistungsfähigkeit, tadellose, rdiige u< d i- flimmertreie Projektion. —im Eugen Bauer :: Stuttgart 15 Kinematographenfabrik Gartenstrasse 21. Fernsprecher 3573. Vertreter: J. Dienstknecht, Mflnchen-Hymplienburg, Jeder kann sein Programm 1 schon v. 30 Hk. an selbst znsammenstellen. Ohne Kaution! ~^n Man verlange Programme und Bedingungen. I. Film-Tausch-Centrale Film-Leih-Anstalt A. F. Döring, Homburg 33, StaMr. 3). Telephon Amt 111 No. 8875. Programme 2. Woche, 2 mal. Wechsel, köni < n sofort atigegeben werden. Jedes Programm zirka 15-1700 in, insgesamt zirka 3500 m pro Woche. I Neueste Tonbilder I Zugkraft. Sonntags-Programme Einzelne Schlager Zu verkaufen: Ton * —.— ■ ■ ■ -.- txlder sowie stumme Films, sehr große enorm billige Auswahl 6. und 7. Woche evtl, verfügbar S. Cohn, Crefeld ältestes Film-Verleih-Institut KuiRetn«eue Ktema Höchst'. 51. Telephon NT. »45 HdUik-Konto: Barmer itonkveivia ilionbrrg. Fbocker 4c Co** Cn*frUI NB. Eini{« ntue Syndiron-Einrichtungen.