Der Kinematograph (April 1910)

Page scan 00059 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
April 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (April 1910)
Leaf #:
00059
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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No. 173. Der Kinematograph Düsseldorf im«»n aus dein Abschied der Soldaten von ihren Eltern resp. iren Bräuten, der TrümmerstAtte mit neugierigen Zuaelianem rhliesslieh der Einrichtung eines Zimmers zu einem l.ii/.sritt, m sieh dann die besprochenen Szenen alnjiek- in! l'nserea tcus sollten sich entweder die Kinemati»grapbon-Th«'«ter zu izu halten, derartige Schauerstucke zu bringen und lieber hartti- Sachcn wählen, islcr als-r wenn dies nicht iler Kall sein sollte, licht aiizunchmcn ist. so wäre es .hier wirklich angebrat^it. lerartige Films konfisziert werden. Wann wurde es denn je . dass die Menschheit Nutzen zieht aus t'nfäleii, Isj dete-n tanze Keilte braver Soldaten ihren Tod gcfundi n hat ? Inn schreibt der ..Frankfurter Zeitung" aus Z irtch: Eine latographische < Jeachmacksverirrung von lingewöhnliclicr t zeigt ein gross«-. Plakat, tlas s«*it heute an hii-sig n Kineinato- enthcateni angeschlagen ist und das sicher auch in Deutschland Kunde macht. Auffallende Trauerränder und schwarze Toten¬ kreuz« 1 umrahmen eine Nachricht mit der l'elierschrift; Fiinfhundert g<*n. der Anführer gefangen Fahne erls-utet hatte, ist achwer vor wieder geheilt und mit der Tapf« r Freude des alten Vaters und des Br als die mutige Schwester mit Ehr kommt, um dort wieder als kleine Killst. I)e Obst bau r Film zeigt uns die wiinderbai durch Berieselung in der Obstkult laiml. ehe die Berieselung la-gonn welches das W'itsser in die Kanäle h um «las Kngeziefer zu töten, und ist auf welche Weise die Früch Es werden in den Obstgärten grn clit- Tein|>eratur um .'I Orad geltoh der Boden selbst von allem t'nkran F r a n k e n s t e i n. Franken-