Der Kinematograph (August 1910)

Page scan 000110 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
August 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (August 1910)
Leaf #:
000110
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Kinematograph — Düsseldorf. Sensationell! ! Films auch ohne Iflrase farbig zu projektieren Düsseldorfer Film Manufaktur Ludwig üoftschalk Wehrhahn21 Telephon252ä ürösslH und leisrungsfdhigUes Jnstirut liir hervorragende lEih-Programme. Tonbilder Sannfagsprogramme * Einzelne Sthlager. Wochenprogramme erstklassig, verleiht von 25 Mark an 5!»5i j F. W. Feldscher, Hagen in Westf., Kampstrasse 4. 25 bis 30 pCt mehr Plätze ! Sonntags wie Ein . und zw . im ,| igaP w.ch..l! '“ od ""' ,ssl 200-300 Personen Schlager-Programme eisernen Klappstühle 7,’so in jeder Preislage liefert reell und prompt *°i . «“i-'-r ,,, „ 8 ’ 60 Film VerleihZentrale „Glücksstern“, G.m.h.H. ' durch lorhtrm Holzsitz, auch VNuhs, grau und * braun emailliert, ekgantes Aussehen. Dresden, Pragerstrasse 46. A F Döring Ham hu rer 33 r,l,pl,,,w No - 18 744 - Telephon x ». »«7 44 1 • UUI '"st I IdlllUUI^ JJ- -- ■■. Ständiger Verkauf von gebrauchten Filmt. Russland! 'he einzige Fachzoitschr f- der Kinematographen-, chmaschinen- und Photographen-Industrie ist ,Cine-Phono“ 2500 Exemplaren. Abonnementspreis: 6 Rubel pro Jahr. Moskau, Twerskaja, Haus Bachronschin N 124. General-Vertretung für Deutschland: Richard Falk, Berlin W. 6«. ! La CinenMü Italiana ? „Das lebende Lichtbild“. Entwicklung, Wesen u. Bedeutung :: des Kinematographen. :: Von F. Paul Liesegang. (Mit vielen Abbildungen.) <*) notwendige Uebersetzungen des Inseraten - Texte* r X besorgt Kostenlos der Vei Ixeter für Deutschland: J S Sig. Gloria Giovanni - München, <* Preisingstrasse 7p, I. r. (j ooooooo< oo