Der Kinematograph (September 1910)

Page scan 0000 from Der Kinematograph

Record Details:

Title:
Der Kinematograph
Date:
September 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (September 1910)
Leaf #:
0000
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Beilage zu Wo. 1335 dir Fachzeitschrift „Der Artist 1 Der Kinematograph Organ für die gesamte Projektionskunst. No. 193. Düsseldorf, 7. September. 1910. Ememonn-Stahl-ProieRtor sd® „IMPERATOR" Neuestes, kettonloses Modell. Bis in die kleinsten Details als Präzisionsmascliine durchkonstruiert. Spielend leichter, geräusch¬ loser Gang. Absolut flimmerfreie Projektion. Grösste Film¬ schonung. Automatischer Feuerschutz. Stabilstes M odall; Abnutzung auch nach jahrelangem Gebrauch kaum merkbar. Die Leistungen das Apparates werden von allen Fachleuten als htshar von koinem anderen Modell erreicht bezeichnet. Verlangen Sit Preisliste und Kostenanschläge! Grösste Fabrik das Kontinents tur a HEINRICH ERNEMANN A.-G., Dresden 156 Bauer-Apparate sind erstklassig bekannt durch solide dauerhafte Konstruktion, tadellose ruhige und flimmerfreie Vorführung. — Geniessen daher den besten Ruf. Eugen Bauer, Fabrik kinsmatogmphisciisr Apparat», Stuttgart 15 Fernsprecher 3573. Ghftenstrasee t|. Fernsprecher 3573. Fabrik