Der Kinematograph (December 1910)

Record Details:

Title:
Der Kinematograph
Date:
December 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1910)
Leaf #:
00014
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Klnematograph - Düsseldorf. No. 206. Das Sensationsdrama Abgründe in 2 Akten von Urban Gad, wird seit ca. 14 Tagen in verschiedenen grossen deutschen Kinematographen - Theatern gezeigt und^hat jeden Abend absolut aus¬ verkaufte Häuser gebracht kinematographisches Werk hat jemals die Theaterkassen für so lange Zeit iVCNI gefüllt wie „ABGRÜNDE“. Nif^mnlQ ist ein Theater von einer so grossen Anzahl des besten Publikums C d 5 besucht worden, wie jetzt bei den Vorstellungen „ABGRÜNDE“. wirJ al, abendlich B. das PALAST-THEATER-Düsseldorf seit den VJCOlUI Ult 14 Tagen der „ABGRÜNDE“-Vorstellungen und dieses Theater bittet, weitere 8 Tage dieses Sensationsstück behalten zu dürfen. DAS IST EIN REKORD! Millinnfm £ anz neues Publikum wird die deutsche Kinematographie milllUIICII dank Theater-Dramas „ABGRÜNDE“ gewinnen. Wer sich — noch eine Woche oder 14 Tage enorme Einnahmen sichern — wer für lange Zeit jeder Konkurrenz den Rang ablaufen will, schreibe mir sofort um leihweise Ueberlassung der „Abgründe“ für 1., 2, 3, 4., 5., 6., 7., 8., 9., 10. Woche. Düsseldorfer Film-Manufaktur Ludwig Gottschalk Telephon 2528 , Düsseldorf, Oststrasse 13. Telephon 2528. Telegr.-Adr.: Gottschalk, Düsseldorf, Oststrasse 13. t»o = ■■■=