Der Kinematograph (December 1910)

Record Details:

Title:
Der Kinematograph
Date:
December 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1910)
Leaf #:
00047
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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No. 207. Der Kinematozrapb — Düsseldorf. Die uerschiedenen Konstruktions-Formen des Kinematographen, die Darstellung der CSQ lebenden Lichtbilder sowie das GHZ kmematographische Aufnahme - Verfahren Von F PAUL LIESEGANG 0 Mit 125 Abbildungen 0 LEIPZIG 1908 Ed. Liesegang'? Verlag (M. Eger). Dieses* vorzügliche Werk liefern wir frei jeder inländischen oder Öster¬ reich i sehen Poststation gegen Voreinsendung des Betrages von Mk. 9,50 für ein gebundenes Exemplar. Die Expedition des „Kinematograph“, Düsseldorf. Inhalt: Wesen u. Wirkungsweise des Kinematographen. Der Kinematographen - Film. Der Liohtbilder-Apparat Der Bewegungsmecha- Die optische Ausrüstung. Die Lichteinrichtungen. Die Einstellung der Lioht- Ausrüstungsgegenstände und Aufs' ellung des Apparates. Das Arbeiten mit dem Kinematograpn. I 'ober die Feuersgefahr bei k i nematographisch. Vorfülirungen. Vorführung u. Programm. Fehlerhafte Erscheinun¬ gen beim Arbeiten mit dem Kinematographen. Die Herstellung kinema¬ tograph. Aufnahmen. Ferner seien zur Anschaffung empfohlen: Die Projektionskunst für Schalen, Familien u. öffentliche Vorstellungen und Beschreibung chemischer, optischer, magnetischer und eiektr. Experimente mit Hilfe des Projektions-Apparates. Elfte Auflage, vollständig unbearbeitet und vermehrt von Skioptikon Einführung in die Projektionakunst Vierte Auflage von 6 . Lettner mit 23 Abbildungen —- (72 Seiten Gr.-Okt.) Preis broschiert Mk. 1.50 = Zuverlässiger Führer für alle, die sieh über den Projektions - Apparat, seine Handhabung, über die Lichtquellen etc. etc., orientieren wollen. Zu bez. durch den Vertag de« „Kinematograph," Düsseldorf-