Der Kinematograph (December 1910)

Record Details:

Title:
Der Kinematograph
Date:
December 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1910)
Leaf #:
000100
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Germany, Hollywood Studio System, Global Cinema, and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der KlnematoKraph — Düsseldorf. No. 20i* Ein wahrer Goldreqen! Zwei Namen genügen : Jack Johnson ■ Jim Jeffries und jedermann muss wissen, worum es sich handelte. Der Original - Boxkampf um die Weltmeisterschaft und eine Million Mark bar. Am 14. Juli 1910 in Reno, Amerika, ausgetrager. lieber 60 000 Zuschauer. sämtliche Zeitungen der Erde brachten Berichte. Von 14 Apparaten kinematographfcch aufgenommen. Das technische Wunderwerk der Kinematographie. Oer längste Film, der bis Jetzt aufgenommen wurde. Der teuerste Film der Welt. PJF“ 1800 Meter lang, Spannend und fesselnd vom Anfang bis zum Ende. Ein Kassen-Zugstück, wie es bisher noch nicht gebracht wurde. ln London und Paris seit 4 Wochen täglich in Theatern mit ca. 500 Sitzplätzen 5—6000 Mark Einnahme. Ausschliessliches Monopol für Deutschland: Projections-Act.-Ges. „Union 11 , Frankfurt a . m. Abteilung: Johnson-Jeff ries Ci Interessenten müssen sofort schreiben, da bereits mehrere hundert Anfragen vor¬ liegen und nur der Reihe nach erledigt werden können.