Der Kinematograph (December 1910)

Record Details:

Title:
Der Kinematograph
Date:
December 1910
Publisher:
Düsseldorf: E. Lintz
Volume:
Der Kinematograph (December 1910)
Leaf #:
000104
Language:
German
Subjects:
Motion Pictures, Film Industry Trade Magazine","German Cinema
Collection:
Early Cinema, Global Cinema, Hollywood Studio System, and Germany
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Germany’s first film trade journal, Der Kinematograph, played a prominent role in the film publishing landscape during the late Wilhelmine and Weimar periods and remains a key source for film historians today. The journal’s early history exemplifies the gradual emergence of cinema from the cinematograph, since it began as supplement to the popular variety journal Der Artist before becoming an independent publication dedicated to all aspects of the burgeoning film industry. As other scholars have pointed out, Der Kinematograph played an important role in the development of film criticism, especially after the ascension of Alfred Rosenthal to the position of chief editor in 1923. But it also covered a wide variety of topics from film history to technology to economic and juridical questions. The journal could also provide an interesting case study for the film politics of the Weimar period. In the early-1920s, it came under the control of the Scherl Verlag, run by the conservative media mogul Alfred Hugenberg (the Rupert Murdoch of his day), who would also acquire the UFA studio in 1927. This made it a prime target for left-wing groups such as the Volksverband für Filmkunst (Popular Association for Film Art), who saw Rosenthal and Hugenberg as key representatives of a capitalist mass media system dedicated to dumbing down the masses. In 1933, Der Kinematograph, like other film publications, was purged of Jewish colleagues, and the journal itself folded in 1935. —Michael Cowan, 2020
Date Added:
August 29, 2022
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Der Kinematognipb — Düsseldorf. No. 209 . Bauer-Apparate sind erstklassig bekannt durch solide dauerhafte Konstruktion, tadellose ruhige und flimmerfreie Vorführung. — Geniessen daher den besten Ruf. •*“ Eugen Bauer, Fabrik kinematographischer Apparate, Stuttgart 15 oc»»en gelaufene 4 Programm zu besetzen. 73( Erstes Dresdner Film-Verleid-Geschäft Georg Hamann Scheffelstrasse 21. A. & W. Hieltet, Stuhlfabrik, Chemnitz (S.) empfehlen ihre bestens bewährten 1/1 nn e if-*h ö n b o unter billigster Berechnung. f\ Id P p5 HZ Dd fl K 6 Nebenstehende Abbildung Viele Tausend im Gebrauch. darf nicht unberechtigt Igr?] benutzt werden. . Bei telegraphischer Bestellung genügt die Angabe der Nummer ■ . Dionsten ■-■- ■ W W I Versand nur bei fester Bestellung unter Nachnahme. Mt« I 606 , Fornruf 49,2 I Th. Zimmermann, Bochum, Viktoriastrasse 9. *-—— NeuI Neu! NeuI Mehrere gebrauchte, I Neues Reklame-System :: fast neue UmtormCf für Kino-Theat.r. Wirkungsvolle, durch l>eson Jere Charakteristik tlar,,nt<,r - 1 ^r^ik er, SSOftSV olt 30 Amp. 1 f „ r o| e i c i wlron) sich ausaeidinende Reklame. Wundermittel für schwache Besuclts- ! v,. «n a P ' * r, . tage. S|>ottbillig. Geht wie ein Lauffeuer ,iur:h die ganaeSta.it. , j 1 ‘■»/ 6 * Volt, 60 Amp.. für Drehstro.n Hochelegant. Bezug gpmzer Anleitung geszen Ein send. von 1.10 Mk. ' ,nd andere, sehr billig zu verkaufen. in Briefmarken von George Brown, Prag, Königl. Weinberge 42. T44# I 7334 F. W. Feldscher, Hagen I. W. # Karnpstr I fL H Herkules Der beste Projektions - Apparat der Welt! Malteserkreuz- System Unverwüstlich. Flimmerfrei. Colosseum Telephon: 13940. Telsgr. i o Leih-Programme ° 2 mal Wechsel per Woche von 40 Mark an. Tagesprogramme für Schausteller. • ^ Herkules' Ein Triumph der Fein-Mechanik ! Modell 1910. Selbsttätiger Feuerschutz. Geräuschlos. Plastische Bilder = 3 | Gunst Zahlungsbedingunge H. J. Fey, Leipzig.