La Cinématographie Française (1936)

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216 ITZXZTKZXXTTTXXXXXTKZXZl fr0^E^si RAPHIE SE, taincMncnt and arlistic value, togelher with technical excellence; prodiiclions evhich will do good business not only al home but Abroad. Amongst tliese there is no doubl to tbe success ol' Le Miuche, La Belle Equipe. Le (Irund liefruiu. .Jeniup Sept Hommes... une Femme. Les .ïmauts Terribles, Les Deu.r Gosses, Le Boman d'iiu Tricheur. Vu de lu Légion, Un Mauvais Garçon. Les lA>ups entre eu.x'. Les Grands or L'Amant de Madame Vid(d. Tbis suininer ])roductiün season bas equalled lhe tonner one, and we i^e well on tbe way lo bave a good winler one, not only in lhe studios but in tbe halls. Silice .lune, 22 French jiictures bave been Irade-shown niade during tbe last i'ew months. Tbirty-six lilins ai’e in tbe cuttingrooins, or are quile recently terininated. There is harldy spacc to mention ail, but here are a l'ew of tbe more outstanding ones. César, by Marcel Pagnol, which terminâtes lhe Marseilles trilogy. Le Roi, with Gaby Morlay, Fl vire Popesco, Rainiu, André Lefaur, Duvallès and Victor Francen, Hélène from tbe story by Vicky Baum of «Grand Hôtel» faine. L'Homme du Jour. by .Julien Duvivicr, with Maurice (dievalier and strong cast. Le Coupable a lilm by Raymond Bernard, Paris, by Jean Choux, with Harry Baur as star, La Porte du Large. by Marcel L’Herbier, 27 Rue de la P(d.v, Mister Flow. Rigulboehe, with Mistinguetl. Un Grand Amour de Beelboven. by Abel Gance, with Harry Baur as tbe celebrated composer, Au Son des Guitares, Quand Minnit sonnera, .\u Serviee du Tzar, Toi e'est Moi. tbe lilm ojieretta. Les Homnes Nouveau.v, and Les Jumeaux de Brighion. These are but a few ont of many which will undüubtedly be very successfully exploiled. FILMS IN THE MAKING lu a few days time sonie very striking productions will be commenced, amongst which are L'Homme ci abattre, and a big spy story film Marthe Richard in which Frich von Strobeim will appcar with Fdwige Feuillère, Feu Mathias Pascal (which will be Iliade in ttaly), Pépé Le Moko, Casque d'Or, Le Père Goriot, La Dame de Vittel, IA Amour veille. Le Paradis des Fauchés, La Tour de Nesle, Plus ça change, A nous Deux Madame la Vie, La Dame de Malacea, L’Assaut, Le Paquebot partira à Midi, A/on, le Chaut des Iles, Catacalha, Reine des Gitans, Tamara la Complaisante, Le Joueur, Nuits de Prince, Boissière, Monsieur Personne, Le Voleur de\ Femmes, Le Poisson Chinois, Yoshivara (with a Japanese setting), and Le Courrier de Lyon. Many of these titles spell success. Many are well known stories oi the silent film days, siibjects well worth renewing with the aid of modem technique and artistic improvement. The éditorial article insists on the liigli general quality of French production as regards art and technique. Here let us stress entertainment value, and titles which draw to the box-office. — Lucie Derain. Une scène irrésistible de L’Amant de Madame Vida’. On reconnaît Victor Boucher, Elvire Popesco et Louvigny. Madeleine Renaud et Jean-Louis Barrault dans Hélène, que Jean Benoît-Lévy vient de réaliser d’après le célèbre roman de Vicky Baum, Hélène Vilfur.