La Revue du cinéma (1928 - 1929)

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DU cin£ma claire du lendemain, car le dormeur en est encore a sa nuit. Ce dormeur si bien installe dans le reve va etre oblige de reapprendre a veiller. La vie emploie tous les arguments pour le decider. Supreme concession, on lui offre une obscunte au fond de laquelle ll se passe quelque chose, un ersatz du reve : cinema. Mais a la faveur de cette nuit, les vrais fantomes reparaissent. Le temps des assassins, leur lrrealite perilleuse qui fait sauter le coeur, ce meme coeur qu'il est si difficile de garder loin du jeu mortel... Je l'avais bien dit. II faut se mefier des termes memes « a la faveur de la nuit » : circonstances aggravantes... ROGER DE LAFFOREST. THE WAGON SHOW, de Harry J. Brown (Ken Maynardl First National