La Revue du Cinema (1947)

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surcharge d'ornements d'un pittoresque facilement conventionnel et vulgaire ou, au contraire, d'une préciosité exorbitante. Sous le soleil et dans le grouillement de l'Italie, l'ordre et la lumière froide d'un René Clair reposent, alors que nous demandons volontiers à nos chers voisins de nous réchauffer le cœur. Un autre exemple analogue : pendant des années, outre que les bureaux du ministère de la Culture populaire recommandaient de ne pas montrer Visconti, La Terre tremble : le grand-père est malade, on le couvre d'images précieuses. 56