La Revue du Cinema (1947)

Page scan 000158 from La Revue du Cinema

Record Details:

Title:
La Revue du Cinema
Date:
1947
Publisher:
Paris, Gallimard
Volume:
La Revue du Cinema (1947-48)
Leaf #:
000158
Language:
French
Collection:
French Cinema and Global Cinema
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Date Added:
April 25, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

NOTRE ÉCRAN Pip a reçu « l'ordre » de venir jouer à Satis House. Pour la première fois il rencontre Estella. (Anthony Wager et Jean Simmons dans Les Grandes espérances de David Lean). Pip de nos enfances. THE GREAT EXPECTATIONS (Les Grandes espérances). Réalisation de David Lean. Scénario de David Lean et Ronald Neame d'après le roman de Charles Dickens. Photographie : Guy Green. Décors : Wilfred Shingleton. Musique : Walter Goehr. Interprètes principaux : John Mills, Valérie Hobson, Martita Hunt, Anthony Wager, Jean Simmons. [Prod. Ronald Neame, Cineguild, Londres, 1947.) Si j'avais le bonheur d'être David gue — un très mauvais roman. Dickens a Lean, j'en voudrais beaucoup à Charles toujours su évoquer l'enfance en termes Dickens d'avoir écrit avec Les Gratides justes et émouvants ; mais, devenus espérances — après un excellent prolo adultes, ses héros se conduisent suivant 52