La Revue du Cinema (1931)

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George Grosz est ce peintre allemand dont on a souvent comparé le talent à celui de Stroheim. Celte image ne rappelle-t-elle de façon étrange certaines scènes de la Symphonie Nuptiale. la pompe à essence... Et cette femme, quelle séduction... » Et l'on se met au lit, satisfait, avec un regard sur ces paradis fermés, ce monde problématique que cache le matérialisme quotidien. Et voilà une nouvelle propagande pour ce luxe que les petites gens ne pourront jamais aborder : jambes de femmes, bas de soie, habits de soirée, records sportifs, argent par monceaux, danseuses, autos de marques, et, derrière 14