Life and Lillian Gish (1932)

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VIII "INTOLERANCE" The Griffith lot was at 4500 Sunset Boulevard, on the edge of Hollywood, then a residential suburb, named for one of the earliest homes there. Hollywood residents ob- served with curiosity, but with no special alarm, the in- teresting picture-making plants that were appearing here and there in their neighborhood. California has a taste for publicity: "Ladies and gentlemen, since there seems to be nothing further to be said for the Dear Departed, I should be glad to make a few remarks about California." That Griffith, on the very edge of Hollywood, had made the great picture then sweeping the country, was some- thing on which to "make a few remarks," though it is unlikely that even the most sanguine residents guessed that within a comparatively brief time, their little suburb would become the center of one of the world's richest industries; a collection of amazing architectural construction; a strange, irrational region, in and about whose environs frail cities and quaint villages, fair palaces and weird ships and oceans, would appear and vanish, beyond the dreams of all the fairylands of time and change; that with these things would assemble an exhibit of feminine loveliness and masculine perfection, of human freaks and human vanities, such as probably no other planet could show. The change began quickly enough, now. There was money to be made in Hollywood—not only by producers, but by actors. On Broadway, men and women with lean U7