The little fellow : the life and work of Charles Spencer Chaplin (1951)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

i©^ Acknowledgements We are greatly indebted to W. Somerset Maugham, who has kindly allowed a passage from A Writer's Notebook, published by Willliam Heinemann Ltd., to stand as Foreword to this book. We desire to express our grateful thanks to Arthur Boulting; Adrian and Christopher Brunei; the Very Reverend the Dean of Canterbury; Robert Florey; Lawrence Gilliam; Raymond Mander and Joe Mitchison {Theatre Collection); Miss Alicia Markova; Ivor Montagu; Paul Rotha; Dr. Eric Saunders; the late George Bernard Shaw; Donald Ogden Stewart; Miss Molly Stoll and Norman Swallow; to all of whom we are indebted for advice and information. We should also like to record our appreciation of the courtesy and kindness of Miss Gitta Blumenthal (Assistant Curator of the National Film Library); Miss Norah Traylen (Stills Librarian, B.F.I.); and of Harold Brown (Vault Keeper, B.F.I.). Our thanks also to John Brophy, Thony Christie, Miss Joan Miller, Dr. Robert Niklaus and Mervyn Reeves, who read the first draft of the manuscript, and whose criticism was invaluable. The photographs are reproduced through the courtesy of the British Film Institute (p. 58-64, 82, 84, 105-108); Keystone Press Agency (33-40, 57, 112); Monidale Ltd. (Ill); United Artists Corporation (82-83,86-88, 109-110).