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SIG CATEGORY INDEX I For aynopsi see page No PICTORIAL Role of the Cameraman RTAF 141 (12min—1952) 170 Origins of the Motion Picture MF 11-8634 (21 min—1956—From Navy Film MN 8103) 214 The Technique of Good Projection TF 11-1574 (36 min—1950—Film Reference) 337 Film Tactics TF 11-1572 (23 min—1949—Film Reference) 337 Facts About Film MF 11-7754 (10 min—1951—Commercial Adaptation) . 213 How to Operate the Army 16-mm Sound Projector Set TF 11-1752 (31 min—1952—Film Reference) 339 The Mitchell Camera TF 11-298 (17min—1942—Film Reference) 334 Photo Flash Photography—How It Works MF 11-1032 (27 min—1944—Film Reference—Commercial Adap- 212 tation). Basic Portraiture Lighting MF 11-7889 (13 min—1951) 213 Making Transparencies with Portable Transparency Printer and Developer MF 11-8431 (7 min—1955) 214 Heights and Depths EF 179 (9 min— 1945) 183 Photolithography—I—How to Make a Good Impression MF 33-8204 (25 min—1955—Color—Commercial Adaptation) 236 Photolithography—II—A Better Run for Your Money MF 33-8205 (20 min—1955—Color—Commercial Adaptation) 236 Elementary Speed Graphic Operations FS 11-8 (1943) 389 Military Portraiture and Lighting FS 11-109 (1952) 391 Framing, Composition, and Perspective FS 11-106 (1951) 391 . Film Strip Projector, PH-222—Setting Up and Operating f FS 11-50 (1944) 390 Film Strip Preparation FS 11-3 (1942) 389 Identification Photography—Operation of Equipment FS 11-115 (1952) 391 The Photographic Negative FS 11-65 (1944) 390 Photographic Darkroom Procedure—Part I: Loading Film Holders FS 11-59 (1944) 390 Photographic Chemistry FS 11-70 (1944—Sound —Film Reference) 390 Photographic Darkroom Procedures—Tank Development of Cut Film FS 11-58 (1944) 390 134 AGO 101181