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"Strike Me Pink," with Cantor, Sally Eilers and Parkyakarkus.
qualities of "Mutiny on the Bounty," but its movement and pace makes it the most entertaining sea story of the year. Besides, it brings into prominence a brand new screen personality who is destined for a niche among the Gables and the Coopers of Hollywood. He is Errol Flynn, a handsome young Irishinan who makes his screen debut in the title role. This would have been a good picture without Flynn — with him it becomes the sort of picture that makes reviewers send out for more adjectives. Exiled from England and sold into slavery in one of the colonies, the young doctor takes advantage of an attack on the island, mans the attackers' ship and puts out to sea to become the most feared pirate in the trade. Next to Flynn's outstanding performance there are excellent portrayals by Olivia de Havilland, Ross Alexander, Guy Kibbee, Basil Rathbone and Forrester Harvey.
Preview Postscripts
Errol Flynn has never been a pirate. But he's been practically everything else. Soldier of fortune, a master of trading vessels in the South Seas, a hunter of head-hunters, an adventurer in all the far corners of the globe. From Broodway he was brought to Hollywood for this first picture . . . Olivia de hiavilland is good news herself. Eighteen years old, she's getting to first base in less than a year in the industry . . . Seven ships were built for this little epic. Shipbuilding moy be Industry's most highly specialized job, but a call for seven ships is all in the day's work to studio technicians. Of the seven, two were as complete as any ship that sails the seas, except for lighter construction and little durability. Of regulation size, length, height and beam, each deck is equipped with a full array of cannon . . . You can't surprise the studio gun-makers, either. The head of the studio arsenal received this order: fifty cannons, 400 cop and ball pistols, 450 flintlock muskets, 350 cutlasses, 750 powder horns, 50 powder barrels, 200 cone knives and 300 daggers. The weapons were copied from a few choice arsenal treasures dating bock to 1650 . . . Costume research took over six months. One of Miss de hHovilland's snappy outfits consisted of a white taffeta petticoat, composed of eight yards of material and forty yards of ruffles. Fifteen yards were wound around her for a velvet skirt and o nine-yard satin pannier covered this. Her bonnet weighed seventeen pounds. Those leather boots which lend such a dashing air to the actors, felt anything but that. Each boot weighed 23 pounds. Considering some fifty pounds of swords, leather jackets, and iron hots, the cost was mode up mostly of "heavies."
*** The Magnificent Obsession (Universal)
This is a typical John M. Stahl production, which is to say that it is ponderous and painstaking and probably will make its producers a lot of money. Air. Stahl is the type of story teller who spares no details— a habit which sometimes proves annoying — but it can never be said of him that he's not convincing. For, in this instance, he has taken an obvious tearjerker, as creaky a tale as the screen has offered in months, and made it into a film which is bound to obtain a wide audience appeal, especially among the ladies. Briefly, it has to do with Irene Dunne and Robert Taylor. Taylor, a playboy who has inadvertently caused the death of Miss Dunne's husband, brings more tragedy to her life when, because of him, she is involved in an automobile accident which costs her her sight. His honest effort to make amends constitutes the picture. Evidence that the story is faulty is contained in the fact that six years after the accident Mr. Taylor has acquired a medical school diploma and the Nobel Prize for his work in surgery. From a critical standpoint it's not a first-rate picture, but audiences who enjoy a good cry will admire it considerably. As for the cast, both Miss Dunne and Mr. Taylor are handsome and capable, and supporting roles are ably handled by Charlie Butterworth, Ralph Morgan and Betty Furness.
Preview Postscripts
Sixteen weeks of intensive filming were needed for this one. At least Director John M. Stahl thought so. Most movie megaphoners concentrate on "key" scenes, but Director S. considers every icene the most important in the picture. Over 467,000 feet of negative film rolled through the cameras and was cut to the 10,000 feet you ore allowed to enjoy. Editing and cutting of an important flicker takes twice as long as actual production. Over 330 reels decorated the cutflng-room floors, after Stahl hod personally butchered the film down to the 10 reels for release. Twice the total footage you see was used, since photogrophic action is recorded on one film and sound on another, with the two later combined in a so-called movietone print. The "sound track" is a narrow strip running along the side of the photogrophed scene . . . Over 4,300 extras were engaged on this picture and a total of 42 sets were constructed. Sets ranged from a huge dock ond reproduction of a section of the "Normandie," to elaborate hotel interiors, the Montmartre hills, a group of residences taking up a couple of city blocks, and two large, completely equipped hospitals, not to mention 0 few more. All this fancy business ran into the million mark. Thirty-eight complete costume changes added to the Dunne glamor, while Betty Furness fell heir to twenty-seven outfits. Guaranteeing a magnificent obsession of your very own, sisters. Vera West did the designing . . . Charles Butterworth has discovered It's smart to be dumb. After passing the Indiana bar, Mr. Butterworth decided he was through with brain strain. So he became a newspaper reporter. This, too, he discovered required occasional thought, so he decided on an acting career. . . . Robert Taylor claims he's just o young man trying to get along. But how this twenty-four-yeor-old young man gets along! Graduating as a full-fledged psychlotrlst from Pomona College, Bob was immediately snatched by movie moguls, hod his choice of signing several dotted lines, and Is now o star. Fle's a native Nebroskan and to dote hasn't gone hlollywood. The rumor hounds would hove us believe that he's really interested in Janet Gaynor, his newest co-star.
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