Modern Screen (Dec 1936 - Nov 1937 (assorted issues))

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alike — think of her as intellectual, idealistic. As finely emotioned as she is finely featured. Ambitious, yes, but also modest, quiet but courageous. All of which Irene is. But she is also amusing. She's proving it. Hollywood should have suspected this side of her long ago. After all, she has the blood of Erin in her veins — and when, bedad, was an Irish girl ever born without a sense of humor? Also, she consented to make her movie debut in a comedy number entitled, of all things, "Leathernecking." And then there was that famous remark of her early film days. She was appearing in an inexpensive picture. On the same lot, a high-priced epic was in the making. The studio offered a prize of fifty dollars for a new title for the epic. Some co-worker of Irene's wondered why the studio didn't offer a fifty -dollar prize for a new title for their picture. "Because," said Irene, "if they did, it would double the budget." Hollywood saw her first picture, and was amused. Hollywood also heard the story, and laughed. But, somehow, her lighter talents (Continued on page S9) Don't let the wistful expression fool you. She's probably thinking up a wisecrack. were