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(Continued from page 16)
are mostly made with Hampton's boys. They play his kind of music. I'LL ALWAYS BE WITH YOU (Les Brown with Doris Day— Columbia) — There's an interesting fact behind Doris Day's singing. At one time, Doris was a dancer. She broke her leg in an accident, and was told she'd have to use crutches for a while. She brooded a bit. decided things could have been worse, and began singing. For her supper, as it turned out. Doris is one of those girls who married and retired, then divorced, and resumed her career. Her husband was the trombone player, Al Jordan.
Helen Ward's another member of this club. She retired from Benny Goodman's original band, but she's back on her own now, making records. Ironically, she's been signed to record for her ex-husband's (Albert Marx) company, Musicraft! THE GENERAL JUMPED AT DAWN (Golden Gate Quartet— Okeh ; Paul Whiteman— Capitol)— This is the story of one little riff and how it grew. It was a strictly instrumental little riff, you understand. No words atall, and nobody expected anything to come of it. A well known arranger named Jimmy Mundy wrote it. and Paul Whiteman recorded it about three and a half years ago. As far as the response to it went, he could've stood in bed. Well, Jimmy Mundy joined the Army as a private and while he, all unsuspecting, was hup-two-threeing about, and cussing out his sergeant, "The General Jumped" was being overhauled, and lyrics were added to it, and it got into the movies— in "Hollywood Canteen!" 'TAINT ME (Eddie Heywood— Commodore; Les Brown — Columbia)— This is another tune like "The General Jumped." Started with a little thing by Lem Davis, alto sax man with Eddie Heywood, in 1943 Recently a publisher had it turned into a popular song, Mildred Bailey pushed it on the radio, and it's going like mad. The Les Brown rendition has a swell vocal by Doris Day.
I COVER THE WATERFRONT (Billie Holiday— Commodore)— The plaintive spell of Billie Holiday again, and you can see the fog and smell the docks when she's all done. It's a second recording. Billie made the first three years ago for Columbia and Teddy Wilson was on it, but the record was never released. Now Eddie Heywood's standing by, and Jimmy Dorsey's featured singer, Teddy Walters, plays guitar for Billie!
BELL BOTTOM TROUSERS (Louis Prima — Majestic; Tony Pastor— Victor)— An old English sea chantey that's become a new American favorite. You really ought to listen to both the Prima and Pastor records on this — they're very different. Louis has kept the original bar-room lyrics in his rendition; Tony's boys have cleaned the trousers up. Pastor-ized, you might say JOHNSON AND TURNER BLUES (Joe Turner and Pete Johnson — National) — Pete Johnson was one of the pioneers of the boogie-woogie piano, and Joe Turner was a singer. A good one. They played together in little dives in Kansas City for a long time, and dives in Kansas City are no different from dives anywhere else. Dirty dishes, blue smoke — and sometimes, rare, wild music being born.
John Hammond discovered them in Kansas City, and he brought them to New York where they gave a concert at Carnegie Hall. This was in 1938.
When they opened at the Apollo Theatre in Harlem, they were booed off the stage. It's the truth. People just weren't