Modern Screen (Jul-Dec 1945)

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Here's why your very first Halo Shampoo will leave your hair aglow with natural luster! 1. Halo reveals the true natural beauty of your hair the very first time you use it . . . leaves it shimmering with glorious dancing highlights. 2. Even finest soaps leave dingy soap-film on hair. But Halo contains no soap . . . made with a new type patented ingredient it cannot leave soap-film ! 3. Needs no lemon or vinegar after-rinse . . . Halo rinses away, quickly and completely ! 4. Makes oceans of rich, fragrant lather, in hardest water. Leaves hair sweet, naturally radiant! 5. Carries away unsightly loose dandruff like magic! 6. Lets hair dry soft and manageable, easy to curl! Get J Halo Shampoo today ... in 10^ or larger sizes. REVEALS THE HIDDEN BEAUTY IN YOUR HAIR! YOU WON'T MIND THOSE "DIFFICULT" DAYS —when you switch to SANAPAK! Put Sanapak on your shopping list, right now! For these new-design sanitary napkins are made with a cotton facing to give you extra comfort. They're made with three "Pink Layers"— safety zones that give you triple protection. Sleek, tapered ends. Yet new-design Sanapak cost no more ^cs***^ a p^*^ than ordinary napkins! /^Guaranteed by" ^Good Housekeeping y was Modern Screen who brought 'the whole thing to a head. Modern Screen asked for a story about Alana. Nix, said the studio. How Alan got wind of it is a trade secret, but get wind he did. Modern Screen got the story and Paramount got disgusted. From then on, they let Alan play it his own way. Betty Grable defends her happiness in an adamant way. From the start, she made it clear that Harry and Vicki came first — that any time her work threatened her home, the work would go. So far, she's been able to manage both. But Betty used to be glamor personified, No. 1 Pin-Up to every man in the service. Photogs used to snap her at nightspots and parties, and the press ate the pictures up and yelled for more. Since she married James, the only photos you see are studio posed. She spends her evenings playing gin rummy with her husband. Or sitting in the wings while he toots his horn. Alice Faye goes her one better. I don't know what kind of meat Phil Harris feeds her, and when she tells you he's the world's greatest comic and bandleader, that's only right and proper in a wife. But she'll also tell you he's the world's best actor, so help me she will. Of course that tickles my funnybone, but don't get the notion that I'm criticizing either girl. I think her devotion's beautiful; we should have more like it. Through all this I seem to have been making the studio the villain of the piece. I apologize. 'Tain't necessarily so. As a rule, I believe they act in good faith", though they blunder even as you and I. But the studio's not always the antagonist. It's sometimes public opinion or some other form of social pressure or plain ugly snobbery. Paramount never asked Betty Hutton to pretty up her background. But when she was supplying material for the studio biography, an eyebrow was raised. "Do you want all that stuff to go in?" "Why not? It's true. I did sing in beer joints, I did live on the wrong side of the tracks, my mother did slave in factories so we could eat — and we didn't eat good. What's there to be ashamed of? If it's a sin to be poor, I didn't commit it." I hesitate even to mention George Montgomery or John Hodiak in this connection. To them, standards of wealth and social position are so much applesauce, not to be measured against the dignity and rockbottom worth of their own people. If I suggested anything laudable in this attitude, they'd give me the fisheye. So look the other way a minute, will you, boys, while I make a point . . . Neither of the two gave a tinker's dam that their parents didn't have the glossy Hollywood finish. George's folks came from the soil of Russia and transplanted themselves to a ranch in Montana. He brought them to Hollywood. His pop was 80 and worked in the garden all day. His mom spent her time cooking George's favorite dishes. Goodness shone all over their faces, and George's face shone with pride in them. When pictures were taken, • he wanted them in every shot. One day Mom had her hair done up under an old boudoir cap. "Oh, I don't look nice — " He hugged her. "You always look good to me, Mom — " That's when the shutter clicked. If he'd been my son, I wouldn't have taken a million for that picture. Hodiak came to Hollywood from a radio job in Chicago. "We'll have to change your name," they told him. "You won't. It was good enough for my folks, it's good enough for me — " "It's a bad name for the movies — " He picked up his hat. "Been nice meeting you, boys—" "Hey, where you going?"