Modern Screen (Jul-Dec 1945)

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Talking turkey: Lt. Walker (Bob Mitchum) demands Christmas dinner gobblers for his men from Quartermaster's (Gene Garrick) as Ernie Pyle (B. Meredith) looks on in a lighter moment of "G.I. Joe." SELECTS' ** T II i: STORY OF G.I. JOE 5 5 ■ Ernie Pyle's "Story of G.I. Joe" is a restrained telling of unrestrained war. As stories go, it is not very well put together. Neither is war. On the other hand, as stories go, G.I. Joe is well put together, because it is cemented into a kind of cohesive whole by such stuff as blood and tears, dirt and laughter, fears and grandeur. Here is a scraggling, repetitive picture, whose ingredients are nothing new under the sun, yet they are never old. They are the ingredients of your young men's valors, and your young men's fears. They are the ingredients of your sons' puniness and your sons' magnificence. They are mixed with everything you know about this American kid. His perpetual adolescence. His naivete. His smart-aleckness. His bravery. His pitiful apprehensions. * His grandeur comes out on top. G.I. Joe could be any one of Ernie Pyle's home-spun stories, spinning itself across the screen. It is a narrative of the butchers, the bakers, the candlestick makers; the soda jerkers, the bank clerks, the college professors; (Continued on page 8)