Modern Screen (Dec 1931 - Nov 1932 (assorted issues))

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(Above) Remember when hatter's plush was so popular a few years ago? Well, it's back in favor again. Jean has such a hat in white with the new inch and a half brim. She wears it at a decided tilt, no matter what fashion rules, because it's becoming that way. (Right) Jean's "everyday" fur coat. Jap ermine, edged with beaver clear down the front and at the ends of the full sleeves. Beaver forms the belt, too. for never wearing the same dress twice, came barging up and exclaimed sweetly, "Oh, darling, I've adored you in that dress all the times I've seen you in it for the past two years!" And Jean just as sweetly replied, "Yes, I like it, too. That's why I keep on wearing it." Now that the Vionnet model is showing definite signs of wear, she is having a duplicate made of it. She frequently does that with a well-liked dress. "I can do it because there's really only one type of evening dress I cling to," she remarked. A slight misstatement, if you'll pardon us. The evening dress clings to Jean. Clings beautifully, so that you don't wonder at long-legged, lithe young girls the world over going in for the present anatomical silhouette. When this vogue is followed to its source, it undoubtedly will be found that Miss Harlow had as much to do as anyone in freeing women from unnecessary folds and flounces. Even the great Garbo succumbed to the rage for spun-silver hair that Jean started. She has had an undeniably strong influence on fashions, this twenty-one-year-old platinum blonde with 58