Modern Screen (Dec 1947 - Nov 1948)

NOREEN NASH, starring in "ASSIGNED TO DANGER", on Eagle Lion Films Production Now with FASTENOL for longer-lasting, smoother Color Brilliance Good News . . .your favorite FLAME-GLO lipstick is now also available in the new 49^ size, with a stunning Swivel Treasure Case noted for its ultra modern design . . . gold finished in flashing metal! What's inside is even greater treasure, for stage and screen stars as well as leading models agree there's no lipstick that glamorizes like FLAME-GLO! Now with "Fastenol" a secret new ingredient that seals the radiant color to your lips for hours longer . . . it's water repellent. Presented in Royal Wine, Raspberry and Bull's I, as well as 10 other fashion shades. Get Flame-Glo and you'll get quality! KEEP KISSABLE WITH T REG. U S PAT. OFF. I WALTER THORNTON . . . originator of the Pin -Up Girl says: "I recommend Flame-Glo Lipstick to all my pin-up models for extra beauty, extra glamour ... no blurry edges." LIPSTICK 110 MATCHING ROUGE, FACE POWDER AND CAKE MAKE-UP AT ALL 10c & 25c COSMETIC COUNTERS a garland of beauty with judy on the October cover of modern screen on sale September 10 5 I great rift lay between their careers. Th< discussed marriage. Everyone took the engagement for granted; but they nevs f got around to actually tying the old knti Then, as the little Mexican girl wl gave Robert Montgomery a bad time \ Ride The Pink Horse, Wanda zoomed in prominence overnight. Paramount quid fp ly shoved her into the feminine lead t ^ Now and Forever and followed it wil I' another starring role in Tatlock's Million % She was on her way. Every studio town wanted to borrow her. She witsi finally loaned for the part opposite Tyrojfto Power in Prince of Foxes. Already, critics are hailing her as tji 6 acting find of the year. Her career assured. She has both the talent and til1' opportunity to attain top stardom and hold it. But can she hold Audie? I thii not, unless he reaches a professional su, £j cess equal to hers. There's that prii again. '.^ For the past year, Audie has been lr ing largely on promises. He has be»J mentioned for a dozen pictures and on appeared in two. His name has bej generously bandied about for publici purposes; so the public has been givcj the impression that he's worked far mo, than he has. He has the ability. John Farrow, wl directed him in Beyond Glory, tells r.c that Audie possesses as much innate ac ing talent as any beginner with wha he has ever worked. That includes Ah Ladd. Audie is very good at dialects; ai in mimicry he can top Wanda. At first Audie was not overly enthu§ astic about the movies as a career, hit Hollywood on a chance invitation froj ^ James Cagney, and when offered an ac ing contract, he took it. The professic_ he figured, was as good as any other. Not until he met Wanda and startt thinking of marriage did he begin pus} ing himself. Then he found out that ; of the glad -handing and back-slapping ] had received did not add up to a job. I was offered several bit parts which wou, have given him little money and expeif ) ence. But his name would have providi the pictures with a lot of publicity. Aud turned them down. He resents having r. war record exploited to sell films. He turned to writing. For the past s months he has been industriously settii down his service experiences. The stoi has good commercial possibilities both a book and as a picture. It may be tf solution to the financial problem of ma: riage. ~1 Meanwhile, his film prospects loc brighter. He is due to play the lead Bad Boy, which goes into production early fall. The yarn, dealing with tl reformation of a juvenile delinquent, right down his alley. And the pictu: ol ; o a 1 ; ai il iri