Modern Screen (Dec 1948 - Oct 1949)

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No need to Yes— just glide a new Bissell® back and forth under beds and tables— everywhere! It sweeps clean, with no pressure on the handle whatsoever! Disco-matic* brush action does work for you / Only Bissell has this revolutionary feature that adjusts the brush automatically to any pile rug, from deep broadlooms to smooth Orientals. Just roll your Bissell along for quick, thorough clean-ups. "Bisco-matic" Brush Action is now available in two models . . . the "Vanity" at $8.45, and the "Grand Rapids" at only $6.95. Both complete with "Sta-up" Handle and easy "Flip-O" Empty. BISSELL SWEEPERS The Bissell Carpet Sweeper Co. Grand Rapids 2, Michigan •Ren. U. S. Pat. Off. Bi«BoH'» patented full spring controlled brtitth My Dear Secretary: Author Kirk Douglas' secretary (Laraine Day) marries him and writes a best-seller. It's a merry comedy, helped lots by Keenan Wynn. MY DEAR SECRETARY The trouble is, Owen Waterbury (Kirk Douglas) has had too many secretaries. He's a best-selling novelist, but he'd rather make love than money. Half the time, he just ignores his career, and pursuei happiness. His secretaries usually wind up with mink coats, he himself often ends up with black" eyes, and so it goes. Ronnie Hastings (Keenan Wynn), who lives next door, and calls himself a song-writer, has been mooching off of Owen for a long time; in return, he helps get Owen secretaries, and does the cooking. (He cooks simply xtwful messes, but they always go out and eat later anyway, so it doesn't really matter, and it helps him keep his self-respect.) When Stephanie Gaylord (Laraine Day) comes to work for Owen, it develops that that gentleman's met his Waterloo. Laraine's a principled kid, and all she wants is to write a book eventually, and make her reputation. Because of his writing, she'd always harbored the utmost admiration for Owen, but after discovering his haphazard way of life — he drinks and also gambles — she walks out in a huff. Owen, who's fallen in love with her, goes and snatches her right out of the arms of Rudy Vallee (a bookstore tycoon she used to work for) and marries her. They go away together. He writes his book. She writes hers. The publisher turns his down (it's a jealous publisher; Owen once gave his wife a mink coat); a different publisher thinks hers is terrific. So there's a problem. She doesn't want to be a success if he's not. He thinks his failure's all her fault. And darned if he doesn't start hiring more secretaries. She tries to find him fat ones. He likes 'em lean. The landlady keeps coming around to ask for the rent, and eventually Ronnie marries her. It's typical bedroom comedy, and though it's not as funny as, say, the delightful Mr. and Mrs. Smith of Carole Lombard and Bob Montgomery, it certainly has its moments. Laraine Day, incidentally, was given the Rita Hayworth treatment. Hair cut very short, and bleached almost white. Sort of like Harpo Marx, but prettier. — United Artists. SEALED VERDICT This picture poses a timely ethical question. Unfortunately, it's posed in occasionally confused fashion, due to the fact that Paramount's tried to force what was a firm, fully-packed novel into 83 minutes of movie, We find Ray Milland, an American officer in charge of prosecuting Nazi war criminals abroad, with a problem on his hands. There's this General Otto Steigman (John Hoyt). A Nazi, admittedly. Ray prosecutes him successfully, with the aid of eyewitness testimony from a strange little addled victim named Rodal (Norbert Schiller) who has somehow survived the Nazi terror. The only witness for Steigman is a beautiful French expatriate, Themis De Lisle (Florence Marly), whose relationship with the general is nothing if not questionable. But once he's got Steigman safely convicted, Milland starts to hear rumors. People congratulate him for "pulling one off," tell him he's got the "gift of gab." He gradually discovers that his witness, Rodal, isn't trustworthy, because he's half-crazed with longing for revenge. Milland doesn't like this. He's in Europe as an upholder of American justice. Even though the stories of Steigman's crimes against humanity are legendary, until Milland has concrete proof of these stories in his hand, Steigman must not die. If Rodal's word is worthless, other proof must be found. American Military Government doesn't see it that way. Steigman's obviously guilty, they say. Proof or no proof, he hangs. We can't afford to coddle Nazis. But Milland, stuck with his concept of ideal justice, continues to work doggedly on the case. It grows more complicated. However, if you can keep track of all the tag ends in this movie, you will find it quite absorbing. — Para. JUNE BRIDE Funniest line in June Biide is Robert Montgomery's. He wakes up, after sleeping off a magnificent drunk, and finds himself in what seems to be a straw-filled pen. A pig is nestling in his neck. Montgomery screws his eyes shut. "I've been thrown away,"