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Modern Screen (Dec 1948 - Oct 1949)

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New Pepsodent Guarantees Brighter Teeth and Cleaner Breath ! Run ,h« Hp of your . Vow teeth. If '""S"© over C0«H»9 Hnre-yJ**! ° S'*'Ppery Wonderfully Improved Formula SWEEPS FILM AWAY ! 1. FILM collects stains that make teeth look dull 2. FILM harbors germs that breed bad breath 3. FILM glues acid to your teeth 4. FILM never lets up — it forms con tinually on everyone's teeth Now faster foaming! Make this 7-day Pepsodent Test! Use' new improved Pepsodent Tooth Paste for just one week. If your teeth aren't far brighter, your breath fresher — we'll return twice what you paid ! New Pepsodent foams wonderfully —goes to work faster, fighting film and its harmful effects: (1) Pepsodent makes short work of the discoloring stains that collect on film. (2) It routs film's "bad breath" germs that cause food particles to decay. (3) Pepsodent's film-removing action* helps protect you from acid produced by germs in film. This acid, many dentists agree, causes tooth decay. (4) Film forms continually. Remove it regularly and quickly with Pepsodent. Try New Pepsodent now on our doubleyour-money-back guarantee. No other tooth paste can duplicate Pepsodent's film-removing formula ! No other tooth paste contains Irium* — or Pepsodent's gentle polishing agent. For the safety of your smile use Pepsodent twice a day— see your dentist twice a year. 'Irium is Pepsodent's registered trade mark for purified ally I sulfate. Jp/fU Another Fine Product of Lever Brothers Company Start your Pepsodent 7-day test today. If you're not completely convinced Pepsodent gives you cleaner breath and brighter teeth, mail unused portion of tube to Pepsodent Division, Lever Bros. Co., Dept. G, Chicago, 111. Besides postage you'll receive — DOUBLE YOUR MONEY BACK! Offer expires August 31, 1949 fight is: Where would you be without me, since I taught you everything you know? Dinah's convinced she'd do splendidly on her own, and at a country house-party, she meets a playwright with a French accent, a golden head, and a surplus of boyish charm. He thinks she should play Sarah Bernhardt in his new play. So does she. The Barkleys split up. Dinah's going to show Josh. Josh, a tender soul, who doesn't want his wife to fall on her face, sneaks into the Bernhardt rehearsals, notes rough places in Dinah's performance, phones and coaches her every night. (He uses a French accent, so she'll think he's the playwright.) Bernhardt play opens, Dinah's the toast of serious drama fans. Now, having proved her point, she goes back to Josh. The finale's a big dance, just the way it should be. Ginger seems young and gay again, Astaire's graceful and witty, the script is merry, the songs and dances — particularly a song about a weekend in the country, and a dance about winged shoes — are swell, and there's a stylish comedy bit by a girl named Carol Brewster. For me, the only sizeable flaw was Ginger's big scene in the Bernhardt play. She recites the Marseillaise with so much growling in the throat and such ferocious grimaces that you laugh where you're supposed to throb. Still, like I said before, it made her the toast of the town, and I'm sure not going to argue about it. THE FOUNTAINHEAD Cast: Gary Cooper, Patricia Neal, Raymond Massey, Kent Smith, Robert Douglas, Henry Hull. Warners Ayn Rand, who wrote the novel, "The Fountainhead," also did the screen play for the movie. Her characters don't converse; they make windy speeches. Raymond Massey 's a newspaper publisher. He believes money's power. Robert Douglas is one of Massey 's editors (I think he's supposed to be a symbol of Communism) and he knows power is owning the minds of men. Goes around in a wing collar saying geniuses are an insult to the rest of us, so they mustn't be allowed to exist. Crucify 'em. Now the hero: Gary Cooper, The Fountainhead: Gory Cooper, as the architect who won't compromise, and Patricia Neol, as the rich girl, finally find they're soulmates.