Modern Screen (Dec 1949 - Nov 1950)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

c~^iit sl^il^ (lm^ lie \J U ft I i 5 If your skin feels pasty and stifled in heavy foundations, you'll thrill to the fresh, free feel of this lighter, sheerer powder base. Completely greaseless, it gives make-up a natural velvet-smoothness. No oily shine, no cakey streaks. Just smooth on a thin, protective film of Pond's Vanishing Cream before powdering. This delicate, fluffy cream is transparent on your skin — suits all skin tones! And its petal-soft finish keeps your make-up exquisite! When you want your complexion to look partyperfect for a perfect evening — treat yourself to a 1-Minute Mask of Pond's Vanishing Cream. Swirl the snow-cool Cream lavishly over your entire face, except eyes. "Keratolytic" action of the Cream loosens and dissolves off stubborn dirt and dead skin flakes. After only one minute, tissue Mask off. Then admire the sparkling brightness of your "re-styled" skin — the smooth, flawless make-up it takes! 20 daughter of the Count and Countess Andre de SaintPhalle, says — "After smoothing on a base of Pond's Vanishing Cream, I just never know it's there — except for the wonderful way it holds powder — for hours! I use it all the time to protect my skin, too." Champagne For Caesar: Intellectual giant Ronald Colman gets rich on radio quiz shows. A Shoplifter won't hurt you much, either. Only your head. One thing, though: That Brady's a real find. He kind of kids his part along, and he's got charm to spare. CHAMPAGNE FOR CAESAR Cast: Ronald Colman. Celeste Holm, Vincent Price. Barbara Britton U?iited Artists Caesar is a parrot with a taste for hard liquor and dirty words. He lives with a scholarly gentleman (Ronald Colman) and the gentleman's sister (Barbara Britton), a piano teacher. Ronald and Barbara are poor but proud, and Ronald's chief detestation is quiz shows. He thinks they're the forerunner of intellectual destruction in America. In a wild effort to prove his point, he goes on a quiz show, wins a pot, refuses to take it. Says he'll come back next week and continue to run up his winnings. (For every correct answer, the pot's doubled.) Everybody in the country is fascinated, and Ronnie's won 20 million dollars before the program's horrified sponsor (Vincent Price) can collect his wits. Vincent sics a Delilah-type woman (Celeste Holm) on Ronnie to find out his weak spots, but Ronnie fools her, even as he falls for her. There's more, all very funny, authentic satire. Radio's Art Linkletter, playing an emcee, lampoons his own type of emceeing, George Fisher is fine as himself, Vincent Price was never allowed to mug so freely, and Beauregard Bottomley (that's Ronnie) is a man to make even Lynn Belvedere look at last to his laurels. THE TATTOOED STRANGER Cast: John Miles. Patricia White. Walter Kinsella. Frank Tweddell. RKO This one's only about an hour long, and it can be classified as somewhere between a documentary and a murder mystery. If you're scientific-minded, you get to learn about modern police methods (laboratory tests, etc.). If you're blood-thirsty, you see a killer brought to a nasty end. Police Lieutenant Corrigan (Walter Kinsella) has a murder to solve. Lady corpse with tattoo is brought to the morgue, only to have some old bum sneak in and try to carve the tattoo off her. Deduction: Bum was hired by killer to eliminate identifying evidence. Corrigan is assigned a young