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movie previews
(Continued from page 12)
REBEL IN TOWN
a western with character
The Civil War's over, but not for rancher John Payne. He hates Rebels and is engaged in hunting down a handful who've turned into bank robbers. The war isn't over for those robbers, either (four sons and Pop — J. Carrol Naish) — who lost their farm in Alabama. Happens that Payne has a seven-year-old son who is accidentally shot by one of Naish's sons (John Smith). John's brother (Ben Cooper) is horrified and wants to stay around for the funeral, but he can't. Brooding up in the hills, Ben defies his father and brothers and decides to go back to town. Brother John knifes him when no one's looking and obligingly ties him to his horse. Payne finds Ben and takes him back to the ranch where his wife (Ruth Roman) recognizes him. She doesn't give him away, though, since she's sick of killing and it's obvious that Payne would kill him in a minute. The day comes that Payne discovers who Ben is, and that's the day he (Payne) has to choose between being a man or a beast. It's an unusual Western because of the idealism of Cooper and the interesting character of J. Carrol Naish, who arrives in town for the climax. — U.A.
WALK THE PROUD LAND
new life for the Apaches
■ If anyone can give pride back to the Apaches it's Audie Murphy. What he wants to give it back for is another problem since they, in any case, will be tied down to a reservation and doomed (as we all know) to vanish. Nevertheless, as newly-appointed Indian agent to the San Carlos Reservation (in 1874), he kicks out the American army, removes the chains from Apache chief Robert Warwick and his sub-chiefs and happily sets up housekeeping with Anne Bancroft (a widowed Squaw). He tells her he's engaged, but she has her own ideas about that. When Audie provides guns for the Apaches (to hunt), the legendary Geronimo swoops down to recruit his brothers for a marauding band. Those Apaches stick with Audie, but there's trouble in store for them anyway — and trouble for Audie whose fiancee, Pat Crowley, shows a distinct lack of interest in sharing him with Anne. — Technicolor, U.I.
THE BRAVE ONE
a boy and a bull fight
■ One of the rarest of all events in a bull ring is when the bull's life is spared. This happens in The Brave One because Gitano (the bull) is such a magnificent beast that the greatest matador in Mexico can't defeat him. But, essentially, The Brave One is the story of a little boy (Michel Ray) and his love for Gitano, whom he adopted at birth. Michel's father (Rudolfo Hoyos), a gentle, realistic farmer, tries to prepare him for the day when Gitano will meet his destiny — death in the ring, but Michel, with unbounded hope and persistence, miraculously has his way. In a pastoral setting, where one gets the feel of life and customs in a small village (and the contrast to that of life on a rich Mexican ranch) you follow Michel through his touching crises of loving, losing and winning back Gitano, up to the thrilling moment when 80,000 hysterical fans, who've begun by shouting for the death of the bull, end by demanding that he live. — CinemaScope, RKO