Modern Screen (Jan-Dec 1960)

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\Pdkite 'aii brings you the art of eye makeup a different you for every fashion look! EXOTIC EYES-.. need a thin brush stroke of Lashbrite, non-smear Liquid Eyeliner blended urt. ward. Try Black, Brown, also Iridescent colors of Turquoise. Green, Violet, Blue, Gold, Silver. 490* VELVETY LASHES.. .a flick of Lashbrite's Swirl-on Mascara does it. Waterproof, too. Carry it everywhere in its elegant brushed gold case. In Jet Black, Blue or Velvet Brown. 79g'; BEWITCHING EYES. . created with Lashbrite's Shadow Tones in three fancy-free hues plus Silver and Gold for dramatic effects ...all in one palette. 590 Golden-Cased Eye Shadow stick in five fabulous Iridescent colors. 590' ^a4&j(kite glamour in eye makeup ...at prices that make your budget sing! In all Variety, Drug and Chain Stores " plus tax Prices slightly higher in Canada THEON CO., NEW YORK THEON LTD., MONTREAL ■4wiovies by Florence Epstein Billionaire Yves Montana* could have any girl, but he tvants Marilyn, and he has a delightful scheme to win her. LET'S MAKE LOVE . . . with Marilyn Marilyn Monroe Yves Montand Tony Randall Frankie Vaughn Wilfred Hyde White LET NO MAN WRITE MY EPITAPH boy of the slums Burl Ives Shelley Winters James Darren Jean Seberg Ricardo Montalban ■ If the girl's Marilyn Monroe and the boy's Yves Montand the picture doesn't need much of a plot. And not much of a plot is exactly what you get in this frothy comedy with music. Montand is a billionaire businessman who can have any girl in the world — and has had a majority of them. But he knows they love him for the diamond bracelets he distributes like popcorn. He has become such a notorious playboy that an off-Broadway group has written a play about him. Jumping into his Rolls-Royce he is taken to the scene of this crime where he finds Marilyn wearing practically nothing and knitting (it keeps her hands busy during rehearsal). He is so enamoured of her that when he's mistaken for an actor auditioning for the playboy role he goes along with the gag. He wants Marilyn to love him for himself. Since she appears to be in love with the show's singer (Frankie Vaughn) Montand has a job cut out for him. Desperate to make good in the part, he hires Milton Berle, Bing Crosby and Gene Kelly to give him private instructions in their respective arts. This works out very well because Montand has also bought 5V.( interest in the show. It's a slick movie, all right, and Marilyn's singing is delightful. You keep wishing Montand could have displayed more of his many talents and that a couple with this much fire had been given better fuel to burn. — Cinemascope, 20th-Fox. ■ The young James Darren doesn't know what he's up against — his father died in the electric chair and his mother (Shelley Winters) works as a "B" girl in a cafe to support him. Nevertheless, Shelley has some good friends there on the seamy South Side of Chicago and, one Christmas Eve, they all decide to become Jimmy's godparents. You can't call any of these people solid citizens — a punchdrunk ex-fighter, a prostitute, a dope-addicted singer (Ella Fitzgerald), an alcoholic exjudge (Burl Ives), etc., make up the "family." Happily enough they do him good and he becomes an outstanding piano student. Shelley worries because he gets into fights defending his late father's reputation. Jimmy doesn't tell her that he's defending her reputation. Finally hauled up before a judge Jimmy is surprised when a stranger (Ricardo Montalban) pays his fine. Ricardo has been romancing Shelley and, just lately, has introduced her to the use of drugs. Jimmy has just fallen in love with Jean Seberg, a girl from the other side of Chicago, and is about to audition for a music scholarship when he learns how Ricardo has victimized his mother. In a rage Jimmy breaks into Ricardo's florist shop (he peddles drugs in the backroom) and waves a pistol at him. Luckily, Jimmy's godparents are sober enough for the finale. — Columbia. (Continued on page 6)