Modern Screen (Jan-Dec 1960)

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IE Pi ■ Love sometimes carries an impossibly high price. Sometimes it's stolen and cherished in the darkness. Other times it's paid for with fortunes or with debts. Two years ago Deborah Kerr celebrated her twelfth anniversary as Mrs. Anthony Bartley. Had she pictured herself as an unhappy wife? Never. When a friend once asked her about herself and her life, Deborah replied, "I've been lucky. I have what every woman needs. My children, a devoted husband and my work." She spoke the truth, as she knew it then. Her life as Mi's. Anthony Bartley was quiet, sedate, contented. Her home in Hollywood with its spacious gardens and sweeping view of the Pacific Ocean, rang with the cheerful sound of her daughters' voices. "I live for Melanie's and Francesca's happiness," she told friends again and again. No one suspected a marital unrest, least of all Deborah herself. Although, there was one clue. On the door of her studio dressing room, she had installed a "mood barometer." The barometer, designed in the graceful curves of the Baroque era, had a dial which was adjustable to Deborah's changing (Continued on page 73)