Modern Screen (Dec 1934 - Nov 1935)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Below, Grace Moore had had only tepid response in two former pictures but Victor Schertzinger directed "One Night of Love" and made both Grace and Tullio Carminati famous. Most directors stand in awe of Kate Hepburn's reputed temperament But not George Cukor. After "Little Women" Kate called him "great" and wanted him to direct her always. THEIR DIRECTORS I am now a great director and I wish to be called Mr. Blank !" Those who heard the conversation, floating from the booth of a beauty salon, exchanged wise smiles which said, "What a flop that picture will be, starting out that way. He can't make a great picture from such a beginning." WHEN THE production was one-third finished, the director appeared upon the set one morning with a stranger whom he presented to the star. "I have hired this man to do nothing but say, 'Yes, Miss Blank!' We want you to be absolutely happy while working with us." Those working on the set looked wisely at one another. They knew this production would never make motion picture history! They knew he was a great director and she was a great actress but they understood no director could be great under those circumstances and that no star is ever greater than the man who directs her. {Continued on page 79) MEGAPHONE ISN'T SYMPATHETIC AND HELPFUL 31