Moving Picture World (Jun 1919)

Page scan 000292 from Moving Picture World

Record Details:

Title:
Moving Picture World
Date:
Jun 1919
Publisher:
New York, Chalmers Publishing Company
Volume:
Moving Picture World (Jun 1919)
Leaf #:
000292
Language:
English
Subjects:
Motion Pictures, Film Industry Trade Magazine",nyarc-museumofmodernar
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Moving Picture World, founded in 1907 by J.P. Chalmers, was one of the motion picture industry's first trade papers. Published on a weekly basis in New York City, Moving Picture World informed exhibitors about films available for rental and editorialized on behalf of the growing industry (improving the quality of movies through higher filmmaking standards, not government censorship, was a frequent topic). The paper reached its height in the mid-to-late-1910s--a fact reflected in the circulation figures and the huge amount of advertising that filled every issue during the period. In the 1920s, Moving Picture World lost ground to other competing weekly trade papers -- including Variety, Exhibitor's Herald, and Motion Picture News. In 1927, Moving Picture World ceased publication when it was acquired by Martin Quigley's Exhibitor's Herald. Across the 20 year run of Moving Picture World, readers can watch the transition from short film programs to feature films and witness the transition from the dominance of Edison's Trust to the rise of the "Independent" film companies that ultimately became the Hollywood studios. Silent film historians have utilized and cited Moving Picture World more frequently than any other trade paper, and the publication still has many insights left to offer. -- Eric Hoyt, 2012/2013
Date Added:
May 23, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

1660 THE MOVING PICTURE WORLD June 14, 1919 MUSIC CUE SHEETS FOR FILMS OF CURRENT RELEASE "Sahara." Released by W. W. Hodkinson. Prepared by Dr. Hugo Riesenfeld, Managing Director of the Rialto and Rivoli Theatres, New York. Open with Barbe Bleue S A 135. 1 — Scene — Louise Glaum with fire. Cymbal effect — quite long. 2 — T. Paris. Continue Barbe Bleue. 3 — T. And still the toast. Valse Bleue W-28. 4 — T. Their baby son. No. 13 (Schertzinger). 5 — T. For a long time it will be only a tent. Simple Aveu. (Curtain and singer at this point.) 6 — T. The sun-bronzed African desert. Danse Arabe (from Nut Cracker Suite) S-4. 7 — The Russian Baron Alexis. Ecstasy 1-72. 8 — Segue. Love's Torments (no introduction) W-8. 9 — T. The African night. Danse Orientale (Oriental drum effect) D-61. 10 — T. This letter came this afternoon. Premier Amour (short cymbal effect) M B-16. 11 — After T. What do you know of El Shabar. Mountain Music (no introduction) S-71 3. 12 — T. Through the sand-rimmed days. Among the Arabs, from Suite S-37 1. 13— T. Tonight I start for Cairo. A Dream D.S. M B 104. 14— D. Husband is seen aproaching. Serenade No. Int. M B 145. 15 — T. Again the night stars. No. 338. Orchestra Tacit 8. 16" — T. And the shuttle of the year. Organ Solo Silent Night (Chinese gong effect). 17 — T. The Palace of the Dawn. Les Mosquees (Orientales) S-47 2. 18 — T. Mustapha, a perfect servant. An Eastern Romance R B 18. 19— T. The street of the beggars. Dans SArab from "In the Village" S-71. 20 — D. Hand of old beggar appears over rail. Les Perses (start at 20) D. S. to No. 27 S-51. 21 — T. Alice Ballanger, the lady with the cool white hands. The Nile M B 111. 22 — T. The fete to Baron Alexis. Dance Bohemienne B-52. 23 — D. Beggar appears in doorway. Play again Dance Bohemienne. 25 — D. She signs to dancers to stop. Melancolie M B 153. 26 — T. The new day. Cherry Blossoms M B 193. 27 — T. He is a wreck physically and mentally. Theme No. 13. 28 — D. Doctor leaves and husband jumps from couch. Agitato No. 177. 29— Segue. Theme No. 13. 30 — T. And day follows clay. Evensong — repeat minor part — I 110. 31 — T. Tonight you either throw your pauper knight. Love theme (Herbert). M B 119. 32 — T. My husband. No. 1 Imaginary Ballet — Letter B and Repeat B-2. 33 — D. Husband appears. Agitato No. 432 (pause at shot). 34— D. After shot. No. 109 M B 109. 35 — T. Into the shimmering sand-sea. S-50 3 till sign. 3G— Segue. Theme No. 13. 37 — T. The lady with the cool white hands. Legende M B 15. 38 — Segue. Love Song S B 55. 39 — T. The storm. Organ wind effect then Furioso No. 310. 40 — T. Then the peace of the silken dawn. Silent Sorrows A 224 41— T. I love you. Theme No. 13. 25— T. 26— D. 27— T. 28— T. 29— D. 30— D. 31— T. 32— T. 33— T. Theme1— D. 2— T. 3— T. 4— T. 5— T. 6— T. 7— T. 8— T. 9— T. 10— D. H— T. 12— D. 13— D. 14— T. 15— T. 16— T. 17— T. 18— T. Ill— D. 20— T. 21— D. 22— T. 23— D. 24— D. A snug retreat. 1:44. Mignonette (Allegretto), Friml. Flash to Martin's crew in hut. :45. Dramatic Agitato No. 1 (start at No. 2), Hough. At Beveridge's, Ltd. 2:35. Nocturne Op. 48 No. 1 (Andante), Chopin. Cpon returning to. 1 :22. Dramatic Andante No. 24 (Berg Series) (increase to action). Fade-in to Mary's bedroom. 3:16. Thoughts No. 35 (Berg Series). Flash to Lord Raa at desk. 4:01. Vampire (Andante), Levy. Pardon the forced. 2:03. Crafty Spy (Moderato), Borch. In the fog. 3:44. Intermezzo (Allegretto), Arensky. And the happy. 1 :12. Peacefulness (Andante), Borch. "Full of Pep." Released by Metro Pictures Corporation. Prepared by S. M. Berg. -Serenata (Characteristic Ballad Amorosa), Crespl. At screening. 2 :30. Comedy Allegro, Berg. What's the matter, mister. (Train effects) 2:30. Theme. A few days later. (Telephone bell) 2 :45. Birds and Butterflies (Intermezzo Capricioso), Vely. Now that you're through. 1 :45. Flirty Flirts, Levy. In Santa Dinero. 2 :45. Mexicana, Herbert. The Captain of the President's. 3 :15. Luzon — Ellsworth. But, father, surely you can. 2 :45. Mirabella (Mexican Serenade), Shaw-Dixon. ! :45. Premier Bolero, Hackh. (Bell.) Anita (Spanish Serenade), A fortnight later in Santa. And I will call for Senor. Allen. When servant drinks pep. I taste only one so glorious. Giocoso), Joio. When scene fades to Lopanzo. can), Dewey. When Jimmy leaves palace. 3:15. Theme. How dare you, the duenna. Capricious Annette Caprice), Borch. :45. Theme. (Victrola effects.) I Love You (direct 3:00. A La Mode (One-step), Rosey. 2:45. The Belle of Mexico (Waltz 3 :00. Orizaba (Moderato Mexi ( Moderato 3 :15. Sobre La Plaza (Characteristic 2 :00. Dramatic Tension No. 36, You have a way weeth Not much of a tenor. cue on record). For ten days, Jimmy. Danza), Rollinson. General, while you were at. Andino. When Jimmy joins Felicia. 1 :00. Theme. At nightfall when. 1:30. Scherzetto (from Symphonette Suite), Berge. When soldiers enter. Rondo (excerpts Beethoven Sonata Pathe tique), Berge. Now I know where the cooties. 3:30. Savannah (One-step), Rosey. When Lopanzo finds telegram. 4 :30. Half Reel Hurry, Levy. When Jimmy kisses President. 2:30. Theme (to end). 1— At 2— D. 3— T. 4— D. 5— T. 6— D. 7— T. 8— T. 9— D. 10— T. 11— T. 12— T. 13— T. 14— T. 15— D. 16— T. 17— T. 18— T. 19— D. 20— T. 21— T. 22— D. 23— T. 24— D. "The Woman Thou Gavest Me." Released by Famous Players-Lasky. Prepared by Filmusic Studios, opening. 2 :02. Largo from New World Symphony, Dvorak. Fade-in of Village. 5 :14. Elsa entering cathedral from Lohengrin, Wagner. Far off, in the. 2:10. Withered Flowers (No. 41, Berg Series). Fade-in, reception scene. 2:05. Canzonetta (Allegretto), l>Am brosio. Meanwhile in London. 1 :30. Pizzicato Bluette (Allegretto), Lack. Fade-in to men at table. 5 :31. Overture, "Fingal's Cave" (Allegro), Mendelssohn. The hour that. 5:11. Moor Pensive (Moderato), Applefield (Fox). Six weeks later. 4:04. Oriental (Andante) — Cesar Cui. Mary and Martin seeing each other. 3 :34. Visions No. 42 (Andante) (Berg Series). After dinner. 4:04. The Wooing Hour (Allegretto), Zamecnik. I can't bear this. :50. Andante Dramatico No. 62 (Andante) (Berg Series). The Wooing Hour (Allegretto), Zamecnik. Cavatine (Andante), Raff. Extase (Andante), Ganne. 1 :08. Andante Doloroso No. 51 (Berg Misterioso Dramatico No. 22 (Allegro) Brewer. Next morning. 1 :02. Sunset in the. 4 :54. In the land to. 3 :24. Martin drives away. Series). In Scotland pride. :59. (Berg Series). Meantime in the. 1:16. At Sunset (Moderato), India. 3:39. Adieu (Moderato), Karganoff. Fade-in, MacNeil and wife on lawn. :55. Dramatic Tension No. 36 (Berg Series). The days go softly. 1 :49. 1st Movement, Faust, Part I (Waltz tempo). Lord Raa is not. 4 :12. Overture from Mendelssohn. Insert : Paragraph in newspaper. :56. (Berg Series). Escaped by a. 1:24. Dramatic Agitato No. 1 (Allegro), Hough. Fade-in, maid at door. 1:26. Pathetic Andante No. 1 (Berg Series). Ballet Music from 'Fingal's Cave" (Allegro), Dramatic Andante No. 24 "Modern Husbands." Released by Robertson-Cole through Exhibitors Mutual. 1 — At screening. 5:00. Nocturne No. 13 (Lento-Dramatic), Chopin. 2 — T. Jonathan Cosgrove, who plays like. 1 :45. Pizzicati "Sylvia" (Allegretto) (cut introduction), Delibes. 3 — D. Door bell ringing. 2 :00. Dramatic Andante No. 39 — Berge. 4 — T. Having had time to reflect. 1 :45. Chanson D'Amour (Poco Moderato), Saar. 5 — T. Sauce for the geese. 1:15. Babillage (Allegretto), Castillo. 6 — T. Sauce for the ganders. :45. Orientale (Allegretto), Cui. 7 — D. After dance. 1:15. L'Amour du Papillon (Allegretto Caprice), Henneberg. 8 — D. After fade-out, Brockwell and Mrs. Duane. 1 :30. Love's Wilfulness (Andante Appassionato), Barthelemy. 9 — D. Close-up, Duane after he enters room. 2 :45. Dramatic Andante No. 39, Berge. 10 — T. In the early hours of the morning. 1 :30. Fox Trot. 11 — T. And Oh, what a difference in the. :30. For He's a Jolly Good Fellow (in minor). T. Mrs. Cosgrove has also been rocking the. 1 :30. Amaranthus (6/8 Moderato), Gilder. 12 — T. After losing thousands. 1 :00. Whispering Flowers (Allegro Agitato), Blon. D. Cosgrove and wife at table. :15. Tacet. 1.'! — T. There was an ulterior motive. 3:45. Dramatic Tension No. 36 (Moderato), Andino. 14 — T. Then came the parting of the ways. 3 :00. One Who Has Yearned Alone (Andante), Tschaikowsky. 15 — T. And Julia Duane faced. :45. Berceuse "Jocelyn" (Andante Expressivo) (cut introduction), Godard. 10 — T. With the passing of a year. :30. Kunihild (Andante Serioso), Kistler. T. While Julia had been fairly successful. :30. (Resume Berceuse). D. Back to Duane in room. :45. (Resume Kunihild). D. Nurse with baby. :15. (Resume Berceuse). 17— D. Back to Duane. 2 :30. (Watch for shot) Prelude, Rachmaninoff (heavy dramatic lento). 18 — D. Street scene. 1:45. Petite Serenade (Allegretto), Horton. 19 — T. Cosgrove plans to surprise. 2 :00. La Danse des Demoiselles (Valse Lento), Friml.