Motion Picture Classic (1923, 1924, 1926)

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Boulevardier Chats HARRY CARR Mack Scnnett, on the other hand, is laid to h made anothei fortune in real estate piled on top oi tin fortunes he alread) had 1 understand that Sennett's realty holdings inside the city limits of Los Angeles exceed one hundred -ami thirty acres, mostly cit) lots and tracts being held for subdivision. As a realty king, Sennett lias but one rival in the modon picture colon) ; this is Ruth Roland who is said to have made two millions in Hollywood real estate during the last five years. And Miss Roland says with the most charming candor, she still has the first nickel she ever made. * * * Conrad Xagel is another realty millionaire. Conrad has a very valuable ranch near Duarte in the foothills. On it he raises melons. Ever) week he says he goes out with the firm determination to give orders to the realty men to cut it up in subdivision lots ; but the melons look so nice and green and pleasant that he cant bear to do it. Photograph by K. O. Rahmn Above, Jack Pickford and his wife, Marilyn Miller, on their own back fence. Below is a scene from Warner Brothers' "Little Johnnie Jones," with Johnnie Hines in the center. Bottom of the page, Eleanor Boardman and her director, Tod Browning, snapped during the making of "The Day of Faith" By the time this appears in print, Mary Picktord's keepsakes will be distributed among the loving families of Hollywood. Mary presented Rev. Xeal Dodd, the "chaplain of Hollywood," with a whole trunk filled with stuff to be auctioned off for the benefit of his church. Among other treasures was the little velvet suit she wore in "Lord Fauntleroy" ; her lace handkerchief which she used in "The Street Singer." etc. There were slippers and scarfs and all manner of wearing apparel. Speaking of Mary, they say her studio speaks in hushed whispers of the awful indignity that has occurred. This young girl, Lucile Rickson, who is announced by Marshall Neilan as the rising genius of the age, is to be in Jack Pickford's next picture and she is to take the part that Mary herself had in a previous version of the story. Instead of being properly impressed, Miss Rickson accepted the situation with such sang-froid that she began to call Mary "old dear" Above: Reading from left to right and upside down, it is Malcolm McGregor, keeping fit for film fights (Sixty-three)