Motion Picture Classic (1923, 1924, 1926)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

cal end of tiling, the \m< i ican pro duccrs ha\ i no rivals ! In the technical side ft picture making the) are perfection. "Most of the scenarios oi the Swedish and German productions arc vague; yet they are stories of quality. They give forth something tangible tti the educated mind. This is where the American producer falls down. "Imagine the gross insult of a pic ture that depicts American social life, ociety drama wherein the people acl as no man or woman in any conn try, in this particular stratum of life would act. That's what we have to look at all the time. And the public will never be given dramas of real life as long as ignorant people are permitted to have power to produce and direet pictures. We must have people in authority in the scenario departments who know from the inside the phases of life which they are trying to interpret. We must have people who keep to the things they know ! "The success of my novels has been based upon the fact that I never write about things that T do not knn7i\ Recently someone asked me why T did not write about a certain part of England and the natives there. 'Why-' T asked, somewhat amazed. 'Recause T only know about them thru hearsav. T dont know the reality of their existence, and could not write until T do.' "The scenario departments receive many terrible scenarios that have to he changed. Naturally, it is hard for them to realize when they get a good one. which it would be wise for them to leave untouched. The diligence of the author in mastering movie technique will mean everything in the final O. K. which he alone should be allowed to place on the continuity of his picture. TTis knowledge of technique will influence producers to gather about them intelligent people who are not groping in the dark, but who, in knowing what they are attempting to do, will not be satisfied until they do it correctly." An Old Storv I ( ontinucd from page 42) very closely. For if you did look very closely and very discerningly, you would find in her eyes that thing which made her what she was and gave us what she gave us in "TTumoresque"; the thing Fannie Hurst saw when she wanted her to play the mother-part: the thing Frank Rorzage recognized when he cast her for the part — the first of a long line of directors who have perceived her. The sympathetic, world-enduring, Prettier Teeth If you fight the film While you leave teeth coated with a dingy film, their luster cannot show. Look about you. Note how many teeth now glisten. And mark what they add to good looks. The reason lies largely in a new method of teeth cleaning. Millions now use it daily. Accept this ten-day test we offer, and learn what it does for you. Why teeth lose beauty A viscous film clings to the teeth, enters crevices and stays. The tooth brush alone does not end it. No ordinary tooth paste effectively combats it. So much film remains. Food stains, etc., discolor it, then it forms dingy coats. Tartar is based on film. Those cloudy coats hide the teeth's luster. Film also holds food substance which ferments and forms acid. It holds the acid in contact with the teeth to cause decay. That's why so few escaped tooth troubles. Germs breed by millions in film. They, with tartar, are the chief cause of pyorrhea. And that became alarmingly common. Better methods now Dental science studied long to correct this situation. It found two film Protect the Enamel Pepsodcnt disintegrates the film, then removes it with an agent far softer than enamel. Never use a film combatant which contains harsh grit. combatants. One of them acts to curdle film, one to remove it, and without any harmful scouring. Able authorities proved these methods by many careful tests. Then a new-type tooth paste was created, based on modern research. In that were embodied these two film combatants for daily application. That tooth paste is called Pepsodent. Leading dentists the world over now advise it. Careful people of some 50 nations are employing it today. Multiplies two agents Pepsodent does two other things which research proved essential. It multiplies the alkalinity of the saliva. That is there to neutralize mouth acids, the cause ol tooth decay. It multiplies the starch digestam in the saliva. That is there to digest starch deposits which may otherwise ferment and form acids. Thus every use gives manifold power to these J.'eat natural tooth-protecting agents. This test amazes This 10-day test of Pepsodent amazes and delights. The results are quick and conspicuous. Send the coupon for" it. Note how clean the teeth feel after using. Mark the absence of the viscous film. See how teeth whiten as the film-coats disappear. Watch the other good effects. In one week you will realize what this new method means. You will see results which old ways never bring. Cut out the coupon now. Kspsaciem 10-Day Tube Free " THE PEPSODENT COMPANY, Dept. 303. 1104 S. Wabash Ave.. Chicago. I1L Mail 10-Day Tube of Pepsodent to The New-Day Dentifrice A scientific film combatant, which whitens, cleans and protects the teeth without the use of harmful grit. Now advised by leading den tists the world over. Only one tube to a family. ( Seventy-nine)