Motion Picture Classic (1923, 1924, 1926)

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Flashes From ALTHO it does not properly belong here, we cannot forbear comment on Charlie Chaplin's picture, "A Woman of Paris." The sophisticated, and it must be admitted condescending New York critics, took off their hats as one man to this picture. The most distinguished New Yorkers have written voluntary and gracious tributes to Charlie. We say without any hesitation it is the best picture we ever saw — the most interesting and original and, mentally stimulating thing ever put on the screen. The direction is superb. There is not a wasted gesture.^ Simplicity is the key-note, humanness, the harmony. It will doubtless start a revolution in picture-making, and it should. Charlie has been feted and wined and dined like a prince. He sat in a box all by himself on the opening night, but the lobby was packed with flowers the most conspicuous of which, bore a card that said simply: "Mary and Doug." Definite arrangements have been completed for the tour of the Theatre Guild Repertory Company, carrying out their long-cherished plans to make it possible to present to playgoers outside of New York noteworthy productions that heretofore have been confined to this city. Basil Sydney will head the repertory company. Three of the plays produced by the Guild will be presented on tour. These are: "He Who Gets Slapped," by Leonid Andreyev; Ibsen's "Peer Gynt," and "The Devil's Disciple." the George Bernard Shaw play now at the Garrick Theater, which has been running all summer and in which Mr. Sydney, as Richard Dudgeon, plays the principal role. The tour will embrace Boston, Philadelphia, Baltimore, Washington, Pittsburgh, Buffalo. Cleveland, Chicago and other leading cities. Of the Stage Caught by decided as yet whether she will accept the part. Her latent vehicle "Chu Chin Chow" has opened at Albert Hall. London. Immediately upon her return to the United States last week from an extensive European production trip, Betty Blythe was sought out by an American producer for a starring role in a big film spectacle. Miss Blythe has not quite Elmer Clifton, director of "Down to the Sea in Ships," and other pictures plans to leave New York City for Virginia in the very near future. He will film several exteriors for his new picture "The Warrens of Virginia" at At the top of the page is Remo Bufano with two of the leading players from his own marionette theater. Left is Grace Divine, a young mezzosoprano with the San Carlo Opera Company, which has improved in properties, production and personnel. Below is a Fifth Avenue bus at Fiftysecond Street and Fifth Avenue being shot by Sam Wood for "His Children's Children" PhfitoKr:i|ih liv Campbell Studios (Fifty two )